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Characteristics and social representation of ecstasy in Europe - Irefrea

Characteristics and social representation of ecstasy in Europe - Irefrea

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1. INTRODUCTION1.1. DESIGNER DRUGS, SYNTHETIC DRUGS AND ECSTASYDEFINITIONSDesigner drugs or synthetic drugs are imprecise terms which cover a diverse <strong>and</strong>chang<strong>in</strong>g group <strong>of</strong> substances whose use began to spread through <strong>Europe</strong>, dur<strong>in</strong>g theeighties <strong>in</strong> particular <strong>and</strong> taken up to now, ma<strong>in</strong>ly, as a recreational drug. Although thereare certa<strong>in</strong> differences between both designations for some people, <strong>in</strong> practice their useis rather <strong>in</strong>dist<strong>in</strong>ct. The term ‘designer drug’ orig<strong>in</strong>ally described a chemical compoundsimilar <strong>in</strong> structure <strong>and</strong> effect to another drug <strong>of</strong> abuse but differ<strong>in</strong>g slightly <strong>in</strong> structure,produced <strong>in</strong> cl<strong>and</strong>est<strong>in</strong>e laboratories to mimic the effects <strong>of</strong> controlled drugs. The nameis attributed to a pharmacist <strong>in</strong> the University <strong>of</strong> California who co<strong>in</strong>ed it to refer todrugs <strong>in</strong>troduced on the market to flout the law. The denom<strong>in</strong>ation arose from thenecessity <strong>of</strong> ’design<strong>in</strong>g’ or ‘synthesis<strong>in</strong>g’ new drugs by <strong>in</strong>troduc<strong>in</strong>g small chemicalmodifications <strong>of</strong> known drugs <strong>in</strong> order to avoid legal control -at least for a time- by notbe<strong>in</strong>g registered <strong>and</strong>, therefore, banned. The North American Drug EnforcementAdm<strong>in</strong>istration (DEA) refers to such products as ‘Controlled Substances Analogs’, amore neutral term which it uses to avoid unnecessary publicity for these drugs.The mean<strong>in</strong>g <strong>of</strong> ‘designer drugs’ or ‘synthetic drugs’ has cont<strong>in</strong>ued to evolve <strong>and</strong>,nowadays, no longer corresponds to the need to f<strong>in</strong>d a legal subterfuge. They are termswhich are becom<strong>in</strong>g wider <strong>and</strong> wider which, on occasions, even <strong>in</strong>clude knownpharmaceuticals which have crossed over to the illegal market. At other times, they areold drugs which reappear on the market <strong>and</strong> it is less common for such terms to describedrugs which have undergone some chemical change. Far from be<strong>in</strong>g a matter <strong>of</strong>chemicals, we are fac<strong>in</strong>g a sociological reality, a new way <strong>of</strong> us<strong>in</strong>g drugs, generally <strong>in</strong>the form <strong>of</strong> tablets or capsules. With<strong>in</strong> this new reality is the idea <strong>of</strong> a use that differsfrom that <strong>of</strong> the traditional drugs, above all as far as hero<strong>in</strong> is concerned, where noveltyis important, as is its convenience, easy production <strong>and</strong> use, its few secondary effects,reasonable price, recreational aspects... All this forms part <strong>of</strong> the <strong>social</strong> <strong>representation</strong>which has been created around these drugs, although <strong>in</strong> practice we know that they arenot free from dangers <strong>and</strong> that their use, although basically a recreational one at thepresent time, has many connections with other types <strong>of</strong> drugs. Nor are they exempt froma compulsive or addictive use. This type <strong>of</strong> drug has gone from be<strong>in</strong>g totally unknown,or one where use was restricted to very m<strong>in</strong>ority groups, to enjoy<strong>in</strong>g an unprecedented13

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