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Characteristics and social representation of ecstasy in Europe - Irefrea

Characteristics and social representation of ecstasy in Europe - Irefrea

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Montagne, 1992) or Rim<strong>in</strong>i, <strong>in</strong> Italy, but English disc-jockeys were the ones who madeit popular. Nowadays, it is a movement with a great success <strong>in</strong> Great Brita<strong>in</strong>, Germany,Holl<strong>and</strong>…. In the places where there is a tradition <strong>of</strong> this k<strong>in</strong>d <strong>of</strong> music, they divide thismovement <strong>in</strong>to two subgroups: hardcore <strong>and</strong> mellow.On the Dutch sample we f<strong>in</strong>d a high percentage <strong>of</strong> people who like “mellow-house”<strong>and</strong> a low percentage <strong>of</strong> people who like “hardcore”. This fact is related ma<strong>in</strong>ly tosampl<strong>in</strong>g <strong>and</strong> represent a difference with the other countries. There are also significantdifferences between countries concern<strong>in</strong>g “hip-hop”, “rap”, among others. We do notknow if these differences correspond to different musical preferences <strong>in</strong> each country,to different used names or to sampl<strong>in</strong>g.There is an especial relationship <strong>in</strong> this study between every type <strong>of</strong> music <strong>and</strong> theuse <strong>of</strong> <strong>ecstasy</strong>. With the house music there is always a higher proportion <strong>of</strong> <strong>ecstasy</strong>consumers. But with rock music, pop, salsa <strong>and</strong> melodic music the proportion are<strong>in</strong>verted. Punk music <strong>in</strong> all the samples, with the exception <strong>of</strong> the Dutch one, relatesalso with the use <strong>of</strong> <strong>ecstasy</strong>. Some <strong>of</strong> the less popular music are sometimes associatedwith the use <strong>of</strong> <strong>ecstasy</strong> <strong>in</strong> some <strong>of</strong> the towns: that is the case <strong>of</strong> reggae <strong>in</strong> Palma deMallorca, Modena <strong>and</strong> Utrecht, Hip-hop <strong>in</strong> Coimbra <strong>and</strong> Palma de Mallorca <strong>and</strong> funky<strong>in</strong> Palma de Mallorca <strong>and</strong> Utrecht.RELATIONSHIP WITH PARENTS (% on global sample)COIMBRA MODENA NICE PALMA UTRECHTVery good 15,5 22,1 43,1 25,4 28,0Good 31,3 54,8 35,0 46,7 46,3Not good/Not bad 49,6 15,4 14,1 24,0 21,3Bad 03,6 04,5 04,2 02,7 03,6Very Bad 00,0 03,2 03,6 01,2 00,8In all the cities the relationship between the <strong>in</strong>terviewees <strong>and</strong> their parents isnormally good or very good. Coimbra is a especial case: although there is a highpercentage <strong>of</strong> <strong>in</strong>dividuals who consider their relationship with them “no good, no bad”,it is also the only sample with 0 <strong>in</strong>dividuals who believe their relations with theirparents are “very bad”. These data confirms we are <strong>in</strong> front <strong>of</strong> a population that can notbe described as marg<strong>in</strong>al.This question have preventive implications, because as we know the family can be avery effective preventive tool. The relationship between the youngster <strong>and</strong> their familyis very good <strong>and</strong> furthermore <strong>in</strong> some countries (especially Spa<strong>in</strong>, Italy <strong>and</strong> Portugal)people depends at many levels on their families. Family prevention should be acommoner strategy.56

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