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A literary history of Persia

A literary history of Persia

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DOWN TO A.D. 1000 465the meaning, and this though they were practically bilingual(dhul-lisanayn\ and though the metrical system <strong>of</strong> the Arabsand <strong>Persia</strong>ns is substantially identical. On this ground aloneI consider, contrary to the view <strong>of</strong> many eminent Orientalists,notably my deeply lamented friend, Mr. E. J. W. Gibb, whosegreat History <strong>of</strong> Ottoman Poetry has been already mentioned inseveral places, that he who seeks to render the poetry <strong>of</strong> theEast into a Western tongue may most justly claim the sameindulgence as these old masters <strong>of</strong> Arabic and <strong>Persia</strong>n tookwhen translatingin verse from the one language into theother ;and indeed, having regard to the wide differences whichseparate our verse-forms and laws <strong>of</strong> prosody from those <strong>of</strong> theMuhammadan nations, we are doubly justified in demandingthe right to take equal liberties with the forms, though notwith the substance <strong>of</strong> our originals.With Mantiqf we notice a more artificial style, and a greaterfondness for rhetorical devices, than is the case with the earlypoets hitherto mentioned in : particular, a fondness for thefigure known as " "poetical aetiology (husn-i-ta'/tl), as," foror " " sallowness <strong>of</strong>instance, when he ascribes the " pallorthe sun to its fear <strong>of</strong> trespassing on the realms <strong>of</strong> his patron inits passage across the sky, and that <strong>of</strong> the gold dln&r to itsdread <strong>of</strong> his lavish and prodigal hands ;or the " "trembling(or twinkling) <strong>of</strong> the stars to their dread <strong>of</strong> his far-reachingsword. This characteristic isdue, I think,not so much topersonal idiosyncrasy as to the fact that the Buwayhid Court<strong>of</strong> 'Iraq was, owing to its greater proximity to, and closerconnection with, the metropolis <strong>of</strong> Baghdad, more directlysubject to the <strong>literary</strong>influences and tendencies <strong>of</strong> Arabicspeakingand Arabic-writing men <strong>of</strong> letters than the SamdnidCourt <strong>of</strong> far Khurasan. For this very reason, perhaps,Khurasan isregarded (and justly so) as the cradle <strong>of</strong> the<strong>Persia</strong>n Renaissance ; yet'Iraq in <strong>literary</strong>that it was considered far behindculture clearly appears from the followingverses (cited in the Yatlma, vol. iv, p. 3)31<strong>of</strong> Abu Ahmad b.

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