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African Folklore: An Encyclopedia - Marshalls University

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<strong>African</strong> Americans 977<br />

A number of these ancient peoples, such as the Buganda, Lugbara and Bunyoro, have<br />

persisted and continue to practice their traditional arts.<br />

JENNIFER JOYCE<br />

URBAN FOLKLORE: A SUDANESE<br />

EXAMPLE<br />

For a long time, studies of folklore in the Sudan have been biased against urban folk<br />

groups. This can best be demonstrated by the complete absence of urban folklore studies<br />

in the publications issued by the Department of <strong>Folklore</strong> of the Institute of <strong>African</strong> and<br />

Asian Studies at the <strong>University</strong> of Khartoum. <strong>An</strong> excellent site for the study of urban<br />

folklore forms is the Sudan Textile Factory, located in Khartoum, with tens of thousands<br />

of workers who come from different parts of the Sudan. Workers at the Sudan Textile<br />

Factory qualify as a folk group because they share a number of factors, such as their jobs<br />

at the factory, as well as their ethnic associations and the neighborhoods in which they<br />

live.<br />

Most definitions of folklore are inadequate for such folk groups in an urban setting. In<br />

a context as dynamic as the urban situation of Khartoum, it is very difficult, and even<br />

impractical, to delimit genres. To solve this problem, a performance-oriented definition<br />

needs to adopted. This entry uses the definition given by Roger Abrahams, who believes<br />

that the term folklore applies to “those traditional items of knowledge which arise in<br />

recurring performance” (1970, 195). Therefore, folklore in this discussion is meant to<br />

indicate a cultural behavior and a communicative process. A genre might consist of<br />

words, such as nicknames, games, or physical objects. What qualifies a certain item for a<br />

genre is the way it is accepted, adopted, and transmitted among the workers. In any case,<br />

a genre is transmitted and performed through a communicative process.<br />

Jocular Genres<br />

Jokes and jocular anecdotes are widely used by the workers at Sudan Textile Factory,<br />

mainly when they get together in their free time. Though most of the workers have a rich<br />

repertoire of jokes, not every worker is a good joke teller. Since telling jokes needs a<br />

degree of specialization, only a few workers are accepted as successful. Those recognized<br />

joke tellers do not only narrate jokes; they also invent jokes about the people and the<br />

machines of the factory.<br />

Generally, the joke is thought to be a playful judgment of something or someone<br />

presented in a humorous expression. The meaning of this expression is a code that is not<br />

recognized by everybody, but is easily understood by the members of the same folk<br />

group—that is, the workers. Ideally, jokes are new for the audience; so the joke tellers<br />

among the workers do not perform the same joke repeatedly.

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