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African Folklore: An Encyclopedia - Marshalls University

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<strong>African</strong> Americans 129<br />

References<br />

Mwanalushi, Muyuda. 1990. Youth and Society in Zambia. Lusaka: Multimedia Publications.<br />

Ngulube, Naboth M.J. 1989. Some Aspects of Growing Up in Zambia. Lusaka: Nalinga<br />

Consultancy Publishing.<br />

Sumbwa, Nyambe. 1993. Zambian Proverbs. Lusaka: Zambia Printing Co. Publications.<br />

BRADFORD STRICKLAND<br />

See also Tricksters in <strong>African</strong> <strong>Folklore</strong><br />

CHILDREN’S FOLKLORE: NDEBELE<br />

Not to be confused with the Ndebele of South Africa, who are well known for their<br />

decorative arts, the Ndebele people of Zimbabwe are cousins with, or descendants of, the<br />

Zulu of South Africa. The Ndebele are located in the southwestern part of Zimbabwe.<br />

Their founding ruler was uMzilikazi and the last Ndebele king was uLobegula.<br />

As a primarily oral people the Ndebele possess oral art forms that serve a variety of<br />

functions. <strong>African</strong> scholars have suggested the term orature to label these oral art forms.<br />

In Ndebele society orature is used as a medium for socializing children. Consequently,<br />

children’s orature is a reflection of the society’s culture and history. Today most of the<br />

traditional oral forms have changed particularly in terms of the media and forms of<br />

existence. This entry focuses on lullabies, folktales (inganekwane), jokes (amaphoxo),<br />

riddles, tongue twisters, material forms, and games, and adopts a chronological<br />

presentation of the oral forms, that is, it presents them in a manner that corresponds to the<br />

developmental stages of children, from birth through early adolescence. The infant forms<br />

take a primarily poetic structure, and as the children grow older the forms become more<br />

narrative except for songs.<br />

Lullabies<br />

Lullabies are children’s poetry composed with the understanding and appreciation of the<br />

child’s needs. They are among the earliest oral forms to which infants are exposed. They<br />

do not have a fixed performance location. Although they are usually performed to<br />

entertain or soothe a crying baby, lullabies also serve as media for socializing children.<br />

Mothers or any other adult performs them. A lullaby can either be slow, rhythmic, or<br />

sleep-inducing, depending on what the intention for it is. As a socialization tool, lullabies<br />

are used to introduce infants and babies primarily to the language of the society. The<br />

following example illustrates this:<br />

Ola ola Ola, ola<br />

Nank’amabhecezana I see some pumpkin pieces<br />

Enhla kwembiz’enkulu At the corner of a big pot

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