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African Folklore: An Encyclopedia - Marshalls University

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<strong>African</strong> folklore 724<br />

Basotho was taken as the name of the new kingdom in the nineteenth century. Sesotho<br />

refers to the language and customs of the Basotho people.<br />

Praise poetry (lithoko) is a type of spoken communication that is dedicated to chiefs<br />

and warriors because of their heroic deeds, especially during a war. It was popular for<br />

relating historical events to an audience in a stylistic manner using a condensed and<br />

captivating poetic language. Praise poetry, often called heroic poetry, is still popular for<br />

celebrating the achievements and other good qualities, of chiefs and outstanding<br />

personalities in the society.<br />

Lithoko is performed by distinguished artists who have proven themselves as talented<br />

poets in the society. Although praise poems of different chiefs are passed from elders to<br />

young men, there are cases of spontaneous production. The artists can recite praise poems<br />

for the chiefs on various occasions, while at the same time adding their own verses. In<br />

some cases, such as when returning from the battlefield, an artist could produce praise<br />

poetry based on the outcome of the war. During the performance the artist makes himself<br />

audible, while the audience listens attentively to the message communicated. The artist<br />

moves to and fro in a dramatic manner displaying his devotion and talent. Today, with<br />

the availability of technology, movements are restricted because the artists use<br />

microphones, which generally confine them to one place.<br />

Unlike written poetry, it is difficult to pin down the form or structure of praise poetry.<br />

In general, the praise poem has an introduction, a body, and a conclusion. The<br />

introduction, in some cases, is a conventional opening that introduces the person to be<br />

praised, either by name or associating him with his relatives. The introduction may also<br />

employ metaphors that call for the audience’s attention. The body of the poem relates to<br />

various events that the artist wishes to emphasize when praising the hero. The conclusion<br />

is marked by a traditional closure formula, which signifies that the artist has come to an<br />

end of the praises. Different aspects of form in praise poetry, particularly stylistic forms<br />

such as parallelism and stanzas, are easily understood when it is written.<br />

As indicated earlier, the content will refer to events or subject matter that the artist<br />

wants to put forward to the audience. After the great wars, the artists adopted a stylized<br />

formula in order to summarize the events. Initially, the preparation undertaken by the<br />

army is described, then the setting out for the battlefield, followed by episodes of the war.<br />

In addition, poems may refer to the following: the birth of the chief, his upbringing, his<br />

administration, the places under his ward, his physical appearance, the problems he<br />

encountered in life, his relatives, his achievements, and his good qualities. The contents<br />

are worded in a dramatic and patriotic manner that calls for unity, as well as submission<br />

to and love for the chief. The praise poet is an important public figure whose major role is<br />

to enhance stability and a peaceful atmosphere in society. The contents of his praises are,<br />

sometimes, about the social, economic, and political issues of the society.<br />

The following praises are examples of praise poems based on war events.<br />

1. Tlali e nts’o ea habo Seeiso<br />

Ea chesa Maseru tsatsi le rapame.

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