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African Folklore: An Encyclopedia - Marshalls University

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We give special thanks to our Advisory Board members Dan Ben-Amos, Daniel<br />

Crowley, Gerald Davis, Ruth Finnegan, Rachel Fretz, Micheline Galley, Veronika<br />

Görög-Karady, Lee Haring, Harold Schueb, and Ruth Stone.<br />

Creating an encyclopedia is an exhilarating yet exasperating project that involves<br />

many people. We have first acknowledged those teachers who originally guided us and<br />

those colleagues who aided us in the current endeavor. In a very real sense, we thank all<br />

of our contributors not only for their excellent entries but for their support and patience as<br />

we developed the project. Several colleagues, notably Frances Harding and David<br />

Samper, led us to other contributors. We must next acknowledge those colleagues who<br />

tragically passed away during the course of this project: Kofi Agovi, T.K.Biaya, Daniel<br />

Crowley, and Gerald Davis.<br />

Over the years, many students from Drew <strong>University</strong> aided with manuscript<br />

preparation. Our sincere thanks to Jennifer Joyce for preparing most of the country<br />

entries. We must also acknowledge those who toiled with manuscript in various states of<br />

repair: Katie Boswell, Megan McBride, Tara Ondra, Janet Wong, Sandra Yoshida, and<br />

<strong>An</strong>drea Zaia. <strong>An</strong>other area of critical aid was that of translation—sincere thanks to<br />

Kristine Aurbakken and Jerry Vogel.<br />

We also thank the many editors who encouraged us over the years, first with Garland,<br />

then with Routledge Reference. Most especially we thank those who helped us complete<br />

this project: Laura Smid, Kate Aker, Kristen Holt, Mary Funchion, and Jeanne Shu.<br />

Much needed time and facilities for final manuscript preparation were provided by a<br />

fellowship at the Sainsbury Research Unit for the Arts of Africa, Oceania, and the<br />

Americas, <strong>University</strong> of East <strong>An</strong>glia, Norwich, England. Sincerest thanks as well to those<br />

who provided shelter during the final stages: Lee and Sylvia Pollock, Beverly Ben-Salem,<br />

the <strong>Folklore</strong> and Folklife Department at the <strong>University</strong> of Pennsylvania, and the<br />

<strong>University</strong> of Ghana.<br />

<strong>An</strong>d, as always, our appreciation for our long-suffering spouses, Pat and Victoria,<br />

must be acknowledged.<br />

PHILIP M.PEEK AND KWESI YANKAH<br />

References<br />

Coplan, David B.1994. In the Time of Cannibals: The Word Music of South Africa’s Basotho<br />

Migrants. Johannesburg: Witwaterstand <strong>University</strong> Press.<br />

Haring, Lee, ed. 1994. <strong>African</strong> Oral Traditions. Oral Tradition (special issue), 9:1.<br />

Kaschula, Russell. 2001. <strong>African</strong> Oral Literature: Functions in Contemporary Contexts.<br />

Claremont, South Africa: New Africa Books.<br />

Peek, Philip M. 1981. The Power of Words in <strong>African</strong> Verbal Arts. Journal of American <strong>Folklore</strong><br />

94: 371.<br />

Peek, Philip M. 1994. The Sounds of Silence: Cross-World Communication and the Auditory Arts<br />

in <strong>African</strong> Societies. American Ethnologist 21: 3.<br />

Peek, Philip M. 2000. Re-Sounding Silences. In Sound, ed. P.Kruth and H.Stobart. Cambridge:<br />

Cambridge <strong>University</strong> Press.<br />

Yankah, Kwesi. 1986. Beyond the Spoken Word: Aural Literature in Africa. In Cross Rhythms 2.<br />

ed. Daniel Avorgbedor and Kwesi Yankah. Papers in <strong>African</strong> <strong>Folklore</strong>. Bloomington: Trickster<br />

Press.

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