18.12.2012 Views

African Folklore: An Encyclopedia - Marshalls University

African Folklore: An Encyclopedia - Marshalls University

African Folklore: An Encyclopedia - Marshalls University

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

convey hypocrisy. Its power can and should sometimes be tempered by rechanneling it,<br />

by having a spokesperson intervene. Ournarou (1996) illustrates how Zabia Hussei and<br />

Ali na Maliki, two contemporary oral artists from Niger, create a poetic metalanguage as<br />

they create poetry itself, by using images such as the building offences or farming to<br />

allude to the process of creating oral poetry or song.<br />

Verbal art and the artists who create it are often believed to be endowed with<br />

exceptional power. This is in part because of the capacity of verbal art to transform, to<br />

produce an emotional response. Language which is rhythmic, metaphorical, or<br />

ambiguous is created by calling attention to linguistic form and structure. Jourdain (1997)<br />

suggests that emotion is a reaction to unexpected experience. Verbal artists craft language<br />

in unexpected ways, thereby committing what Jakobson refers to as “organized violence<br />

on ordinary speech,” (1960, 353) and in so doing create language with the power to<br />

move, to impassion, and to transfix.<br />

References<br />

Bird, Charles. 1972. Aspects of Prosody in West <strong>African</strong> Poetry. In Current Trends in Stylistics,<br />

eds. Braj Kachru and Herbert Stahlke. Champaign, Illinois: Linguistic Research.<br />

Crystal, David. 1987. The Cambridge <strong>Encyclopedia</strong> of Language. Cambridge: Cambridge<br />

<strong>University</strong> Press.<br />

Elhadji Ournarou, Chaibou. 1996. Individual Talent in Contemporary Hausa Oral Poetry. Ph.D.<br />

dissertation, <strong>University</strong> of Wisconsin–Madison.<br />

Furniss, Graham. 1996. Poetry, Prose, and Popular Culture in Hausa. Washington, D.C.:<br />

Smithsonian Institution Press.<br />

Henkel, Jacqueline M. 1996. Language of Criticism: Linguistic Models and Literary Theory. Ithaca<br />

and London: Cornell <strong>University</strong> Press.<br />

Jakobson, Roman. 1960. Concluding Statement: Linguistics and Poetics. In Style in Language, ed.<br />

Thomas A.Sebeok. Cambridge, Mass.: M.I.T. Press.<br />

Jourdain, Robert. 1997. Music, the Brain and Ecstasy. New York: William Morrow.<br />

Nketia, J.H.Kwabena. 1971. The Linguistic Aspect of Style in <strong>African</strong> Languages. Current Trends<br />

in Linguistics 7:733–57.<br />

Okpewho, Isidore. 1992. <strong>African</strong> Oral Literature: Backwounds, Character, Continuity.<br />

Bloomington, Ind: Indiana <strong>University</strong> Press.<br />

Saussure, Ferdinand de. 1915. Cours de linguistique Renerale. Paris: Payot.<br />

Schuh, Russell, G. 1988. Prealable to a Theory of Hausa Poetic Meter. In Studies in Hausa<br />

Language and Linguistics: In Honor of F.W.Parsons, eds. Graham Furniss and Philip J.Jaggar.<br />

London and New York: Kegan Paul International in association with the International <strong>African</strong><br />

Institute.<br />

LINDA HUNTER<br />

See also Ideophones; Proverbs; Silence in Expressive Behavior<br />

See History and <strong>Folklore</strong>: The Luba<br />

<strong>African</strong> Americans 439<br />

LUBA

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!