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African Folklore: An Encyclopedia - Marshalls University

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<strong>African</strong> Americans 993<br />

She walks umiik umiik (ideophone for the gait of<br />

someone who is very lean)<br />

She stops and dances<br />

She begins to walk again<br />

She begins to walk again<br />

She walks umiik umiik<br />

Ibibio Prose Narratives<br />

Ibibio prose narratives treat a variety of topics, but they do not have distinct genre<br />

categories similar to the European tradition of separating myth, legend, and folktale. The<br />

content of prose narratives represents communities where noble values always prevail<br />

over the indices of evil. Performance of the different genres of oral literature is a verbal<br />

feast whose poetry, fantasy, music, and dramatization refresh and revitalize traditional<br />

societies in their frequent battle against adversities.<br />

All prose narrative performances involve the audience as an active element, along with<br />

the narrator, as all join in the singing and hand clapping, some even beating drums. The<br />

favorite time for storytelling is the evening, after the day’s labor, when moonlight or the<br />

cloak of darkness enhance the aura of mystery as the stories unfold. The place is usually<br />

the veranda or the open space in the compound where the large family and their<br />

neighbors congregate for the session.<br />

Among the most popular characters in these narratives are the tortoise, whose role is<br />

that of the trickster, ghosts, and various spirits and deities. The latter reflect the<br />

intermingling of universes, (the real with the supernatural). In addition to the tortoise,<br />

other animal characters, such as leopards, elephants, monkeys, hares, serpents, birds, and<br />

fishes abound in Ibibio stories.<br />

For all prose narratives, both the narrator and the audience participate in the opening<br />

formula.<br />

Narrator. Ekon nke-e<br />

Audience’. Nke-e ekon<br />

Narrator and Audience’. Ekon aka<br />

Ekon onyon<br />

Ekon isimaha udim<br />

The literal translation of this formula is: Ekon (war), nke-e (tale or proverb), Nke-e (tale<br />

or proverb), ekon (war), Ekon (war), aka (goes), Ekon (war), onyon (returns), Ekon (war),<br />

isimaha (never exterminates), udim (a crowd or multitude). According to this expression,<br />

while there will always be war, with its devastation, it never results in annihilation. Thus,<br />

the various prose narratives, while evoking the vicissitudes of life, nevertheless still

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