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African Folklore: An Encyclopedia - Marshalls University

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<strong>African</strong> folklore 926<br />

while on another level, the same symbols have deeper <strong>African</strong> meanings revealed only<br />

under special circumstances, to special people.<br />

It was the manipulation of secret symbols, Prince Hall Masonic symbols, by <strong>African</strong><br />

American secret society members, which contributed to the success of the American<br />

Underground Railway. Gladys-Marie Fry (1990) writes that quilts were used to send<br />

messages through the underground railroad. Log Cabin Quilts made with black cloth<br />

were hung on a line to indicate a safe house of refuge. Joyce Scott reports that “My<br />

mother was told that slaves would work out a quilt, piece by piece, field by field, until<br />

they had an actual map, an escape route. <strong>An</strong>d they used the map to find out how to get off<br />

the plantation.”<br />

Protective Writing<br />

Writing continued to have protective symbolism in <strong>African</strong> American culture, even when<br />

the writing was in English. Newsprint has been placed on the walls of southern homes,<br />

and in shoes as well, partly for protection against the weather, but in <strong>African</strong> American<br />

homes, to protect against evil enslaving spirits, in the belief that “evil spirits would have<br />

to stop and read the words of each chopped up column” before they could do any harm.<br />

This concept derives from the <strong>African</strong> American practice of leaving a Bible open at night<br />

so that the power of religious words would protect a family.<br />

Checks<br />

Checks are another popular old <strong>African</strong> American quilt top pattern remembered from<br />

early childhood. Checked designs can be made from the smallest scraps, and also allow<br />

for maximum contrast between squares without elaborate preplanning. Checked designs<br />

are transformed into the popular “Nine-Patch” block design also often seen in <strong>An</strong>glo-<br />

American quilt-making traditions. Perhaps the ancestors of some <strong>African</strong> American<br />

quilters adopted “Nine-Patch” and other checked and triangular patterns, like “Wild<br />

Goose Chase,” because they resembled the nine-square patterns of West <strong>African</strong><br />

weaving, the Nigerian leopard society resist cloths, or the checked designs so often seen<br />

in Kuba raffia cloth.<br />

Crosses<br />

Crosslike patterns also occur frequently in <strong>African</strong>-American quilts. Although now<br />

interpreted as Christian crosses, they could once have been adopted because of a<br />

resemblance to the Yoruba belief in sacred crossroads, or the Kongo symbol for the four<br />

points of the sun. Circular designs, like crosses, may have once been a means for<br />

remembering the Kongo cosmogram. A Pinwheel pattern evokes the circular nature of<br />

the cosmogram, the rebirth of souls into the bodies of grandchildren. A Wheel quilt and a<br />

Double Wedding Ring quilt could have the same function.

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