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African Folklore: An Encyclopedia - Marshalls University

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<strong>African</strong> folklore 980<br />

primarily in their hairstyles and the wearing of earrings. These fashions are mainly<br />

Egyptian. Egyptian soap operas and television shows are especially popular, and<br />

Egyptian television stars serve as models for the workers.<br />

Both new and traditional forms of folklore are continually employed by the factory<br />

workers of Khartoum. Urban men and women of various ethnic groups continue to<br />

express themselves through folklore, just like their rural counterparts.<br />

References<br />

Abrahams, Roger D. 1970. Complex Relations of Genre. Genre 2.<br />

——. 1976. The Complex Relations of Single Forms. In <strong>Folklore</strong> Genres, ed. D.Ben-Amos.<br />

Austin: <strong>University</strong> of Texas Press.<br />

Ben-Amos, Dan. 1975. <strong>Folklore</strong> Genres. Austin: <strong>University</strong> of Texas Press.<br />

Degh, Linda. 1972. Folk Narratives. In <strong>Folklore</strong> and Folklife, ed. Richard M.Dorson. Bloomington:<br />

Indiana <strong>University</strong> Press.<br />

Farer, Clair R. 1978. Women and <strong>Folklore</strong>: Images and Genres. Journal of American <strong>Folklore</strong> 88.<br />

Galal-el-Din, Mohamed El Awad. 1974. The Factors Influencing Migration to the Three Towns of<br />

the Sudan. Journal of Economic and Social Studies 1.<br />

Gelman, Susan. 1978. Towards the Study of Postal Graffiti: Text and Context in an Adolescent<br />

Girls’ Genre. Western <strong>Folklore</strong> 37.<br />

Jansen, William Hugh. 1978. Purposes and Functions in Modern Local Legends of Kentucky. In<br />

Varia Folklorika, ed. Alan Dundes. Paris: Mouton.<br />

Mahjoub, Asia. 1977. Tradition and Urbanization in an <strong>African</strong> Metropolitan Area. Unpublished<br />

M.A. thesis, Institute of <strong>African</strong> and Asian Studies, <strong>University</strong> of Khartoum.<br />

Paredes, Americo, and Ellen J.Stekert, eds. 1971. The Urban Experience and the Folk Tradition.<br />

Austin: <strong>University</strong> of Texas Press.<br />

MOHAMED EL-MAHDI BUSHRA<br />

See also Gender Representation in <strong>African</strong> Folkore; Northeastern Africa (The<br />

Horn); Popular Culture<br />

URBAN FOLKLORE: THE SWAHILI OF<br />

ZANZIBAR<br />

Three factors have contributed significantly to Zanzibar’s development into a<br />

cosmopolitan city. The first is its geographic location. Lying close to the East <strong>African</strong><br />

coast, on the Indian Ocean, Zanzibar is well placed for contact with countries across the<br />

seas. The monsoon winds traditionally facilitated trade with the Middle East, and trade<br />

was also conducted with mainland Africa and India.<br />

The second factor is migration. As early as the second century BCE, an anonymous<br />

Greek traveler notes (in The Periplus of the Erythrean Sea) the mixture of peoples<br />

existing on the coast. Through settlement and marriage over several centuries, a group<br />

emerged speaking the same language, Swahili, and sharing a culture that was influenced<br />

as much by the customs of Africa as by Muslim values from the Middle East.

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