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African Folklore: An Encyclopedia - Marshalls University

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<strong>African</strong> folklore 636<br />

——. 1992. <strong>African</strong> Oral Literature: Backgrounds, Character and Continuity. Bloomington:<br />

Indiana <strong>University</strong> Press.<br />

Ong, Walter. 1982. Orality and Literacy: The Technologies of the Word. London: Methuen.<br />

ROBERT CANCEL<br />

See also Prose Narratives; Southern <strong>African</strong> Oral Traditions<br />

ORAL TRADITIONS AND ORAL<br />

HISTORIOGRAPHY<br />

As recently as fifty years ago, some western historians considered <strong>African</strong> historiography<br />

nothing better than ethnohistory or folk history, worthy of the attention of<br />

anthropologists, but not of professional historians, due to an assumption that the <strong>African</strong><br />

continent still lay in a prehistoric period lacking writing systems, civilization, or a proper<br />

sense of history. Such historians mistook the predominance of oral cultures and traditions<br />

and the close relationship of <strong>African</strong> historical sources to folklore to mean a lack of<br />

historical consciousness.<br />

Indeed, <strong>African</strong> historical sources are predominantly oral traditions, reported through<br />

time as part of the knowledge, literature, language, and cultural resources of<br />

communities. Yet other sources are contemporary traditions remembered as part of the<br />

personal experiences of people living within a generation. Professional historians classify<br />

this second category of oral sources as oral history. These oral sources represent the<br />

baseline, internally derived data that carry the ideology, philosophy, history, and<br />

worldview of communities. Through the multidisciplinary method, historians are able to<br />

apply the insights of history, historical linguistics, archeology, and the resources of other<br />

disciplines to enrich the evidence of oral traditions, oral history, and folklore.<br />

Africa has not always been a continent more reliant on orality than the written word.<br />

<strong>An</strong>cient Egypt was a primary center of origin of the art of writing, and parts of northern<br />

Africa and northeastern Africa have known varieties of writing over many centuries. The<br />

arrival of the Arabs in the seventh century brought Islamic scholarship and a culture of<br />

writing extending from North Africa across the Sahara to the western, central, and eastern<br />

Sudan, and from across the Indian Ocean to the Swahili coast of East Africa. Western<br />

Christian traditions of writing spread inland from the coasts of West, Central, southern,<br />

and East Africa starting in the late fifteenth century. But local and indigenous forms of<br />

writing have also been reported for some of these regions.<br />

Oral historiography has not been an exclusively <strong>African</strong> mode of historical expression,<br />

nor does oral tradition operate to the exclusion of writing. On the contrary, oral tradition<br />

has been a universal form of historical consciousness, which usually operated alongside<br />

writing. This was, indeed, the case in ancient Egypt, and in ancient Greece, a secondary<br />

center of innovation in the development of writing. When Herodotus visited Egypt (c.<br />

454 BCE), he collected oral traditions from the priests, who were also the custodians of<br />

the archives. The Greek father of the western historiographical tradition was himself a<br />

practitioner of oral tradition and oral history. Historians of Africa use historical footprints

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