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African Folklore: An Encyclopedia - Marshalls University

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<strong>African</strong> Americans 35<br />

Levine, Lawrence W. 1977. Black Culture and Consciousness: Afro-American Folk Thought from<br />

Slavery to Freedom. New York: Oxford <strong>University</strong> Press.<br />

Nathans, Hans. 1962. Dan Emmett and the Rise of Early Negro Minstrelsy. Norman: <strong>University</strong> of<br />

Oklahoma Press.<br />

Oliver, Paul. 1970. Savannah Syncopators: <strong>African</strong> Retentions in the Blues. The Blues Series, ed.<br />

Paul Oliver. New York: Stein and Day.<br />

Webb, Robert Lloyd. 1984. Ring the Banjar: The Banjo in America from <strong>Folklore</strong> to Factory.<br />

Cambridge: The MIT Museum, 1984.<br />

Wheeler, Mary. 1944. Steamboatin’ Days. Baton Rouge: Louisiana State <strong>University</strong> Press.<br />

CECELIA CONWAY<br />

See also Diaspora; Musical Instruments: Focus on Namibia; Music in Africa:<br />

Overview<br />

BAO<br />

Bao, which means “board” in Swahili, is an East <strong>African</strong> board game. This game is a<br />

variation of Mancala, a group of board games particularly popular in Africa, but are also<br />

played in Asia and the Americas. It is played by two players who commonly use a<br />

wooden board with four rows of eight holes and sixty-four counters. The rules are the<br />

most complex of all Mancala variations. They allow counters to be distributed in both<br />

clockwise and counter-clockwise directions and the direction may change during a move.<br />

Two enlarged or square holes in the center of the board allow counters to accumulate<br />

during the game to facilitate multiple captures. Contrary to most Mancala variations, the<br />

counters are not all on the board at the start of play. Forty-four of them enter the game<br />

one by one with each turn and when all are entered they will remain on the board.<br />

Captured counters are not taken from the board but are distributed in the rows of the<br />

player who captured them. This arrangement also allows for multiple captures. The<br />

captures in Bao create the highest turnover of counters between two players in a game<br />

compared to those in any other Mancala variation or board game. Capturing is obligatory<br />

and Bao rules dictate the outcome of a move once it has started. The possible length or<br />

complexity of a move may require complex mental calculations. This has provided Bao<br />

with the status of most difficult Mancala variation and made it an object of psychological<br />

investigation.<br />

Bao is played in East Africa and its presence follows the Swahili trade routes and the<br />

spread of Islam in that region. Players can be found mostly in Kenya and Tanzania but<br />

also in, for instance, Malawi, Mozambique, Madagascar, Somalia and Zambia. The oldest<br />

boards in museum collections with the characteristic enlarged holes in the center of the<br />

board were acquired in the 1890s. The first description of Bao was given by Flacourt in<br />

1658 and concerned players in Madagascar. His description does not mention the two<br />

enlarged holes in the center of the board but otherwise clearly refers to Bao as it is known<br />

today. Detailed rules of Bao (which have taken two to fifteen pages to describe in the Bao<br />

literature!), have not appeared in print until the second half of the twentieth century.<br />

Today the rules found in Kenya, Tanzania and, for instance, Madagascar are practically<br />

identical. The distribution of Bao rules and the strong similarities that still exist suggests

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