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African Folklore: An Encyclopedia - Marshalls University

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<strong>African</strong> folklore 518<br />

References<br />

Allingham, Rob. 1994. Township Jive: From Pennywhistle to Bubblegum: The Music of South<br />

Africa. In World Music: The Rough Guide, ed. Simon Broughton, Mark Ellingham, David<br />

Muddyman, and Richard Trillo. London: Rough Guides.<br />

Bebey, Francis. 1975. <strong>African</strong> Music: A People’s Art. New York: Lawrence Hill Books.<br />

Broughton, Simon, et al. 1999. World Music: The Rough Guide. Vol. I. London: Rough Guides.<br />

DjeDje, Jacqueline Cogdell. 1982. The Concept of Patronage: <strong>An</strong> Examination of Hausa and<br />

Dagomba One-String Fiddle Traditions. Journal of Africa Studies 9, no. 3:155–63.<br />

DjeDje, Jacqueline Cogdell, ed. 1999. Turn Up the Volume! A Celebration of <strong>African</strong> Music. Los<br />

<strong>An</strong>geles: UCLA Fowler Museum of Cultural History.<br />

DjeDje, Jacqueline Cogdell, and William G.Carter. 1989. <strong>African</strong> Musicology: <strong>An</strong> Assessment of<br />

the Field. In <strong>African</strong> Musicology: Current Trends, Vol. I, ed. Jacqueline Cogdell DjeDje and<br />

William G.Carter. Atlanta Ga. Crossroads Press, <strong>African</strong> Studies Association, UCLA.<br />

Greenberg, Joseph H. 1959. Africa as a Linguistic Area. In Continuity and Change in <strong>African</strong><br />

Cultures, ed. William R.Bascom and Melville J.Herskovits. Chicago: The <strong>University</strong> of Chicago<br />

Press.<br />

The JVC Video <strong>An</strong>thology of World Music and Dance, 1990. Rounder Records.<br />

The JVC/Smithsonian Folkways Video <strong>An</strong>thology of Music and Dance. 1995. Multicultural Media.<br />

Kebede, Ashenafi. 1982. Roots of Black Music. The Vocal, Instrumental, and Dance Heritage of<br />

Africa and Black America. Englewood Cliffs, NJ: Prentice-Hall.<br />

Kubik, Gerhard. 1994. Theory of <strong>African</strong> Music, Vol I. Wilhelmshaven, Germany: Florian Noetzel<br />

Verlag.<br />

Manuel, Peter. 1988. Popular Music of the Non-Western World’. <strong>An</strong> Introductory Survey. New<br />

York: Oxford <strong>University</strong> Press.<br />

Merriam, Alan P. 1982. <strong>African</strong> Music in Perspective. New York: Garland.<br />

Murdock, George Peter. 1959. Africa: Its Peoples and Their Culture History. New York: McGraw-<br />

Hill.<br />

Nketia, J.H.Kwabena. 1974. The Music of Africa. New York: Norton.<br />

Stone, Ruth. 1998. <strong>African</strong> Music in a Constellation of Arts. In Africa: The Garland <strong>Encyclopedia</strong><br />

of World Music, ed. Ruth M. Stone. New York: Garland.<br />

Wachsmann, Klaus P., ed. 1971. Essays on Music and History in Africa. Evanston, 111.<br />

Northwestern <strong>University</strong> Press.<br />

KATHLEEN JENABU NOSS<br />

The author would like to thank Dr. Jacqueline Cogdell DjeDje for her suggestions<br />

during the writing of this entry.<br />

See also Dialogic Performances; Musical Instruments: Focus on Namibia;<br />

Performance in Africa<br />

MUSIC: AFRICAN MUSICAL<br />

TRADITIONS IN THE UNITED STATES<br />

To the perceptive observer, reminders of <strong>African</strong> cultures echo throughout American life.<br />

Body language, verbal patterns, styles of social interaction, dress, color preferences,<br />

foodways and, particularly, music and dance, all bear witness to the persistence and

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