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African Folklore: An Encyclopedia - Marshalls University

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<strong>African</strong> folklore 560<br />

Musical bows and other stringed instruments in Namibia are some of the ways in<br />

which people use music to pray, to praise, and to create joy and happiness. For these<br />

purposes, stringed instruments are considered very important, even in present times when<br />

urban living is reducing the use of bows. They are instruments that give meaning to life,<br />

and they are a means of communicating with ancestor spirits and gods, animal spirits, and<br />

people. As such, they have always made an important contribution to the spiritual welfare<br />

of the people and deserve an important place in the framework of <strong>African</strong> folklore. It is<br />

likely that in the future, the use of bows, lutes, and zithers will go into decline and be<br />

replaced with more “modern” instruments such as guitars and violins.<br />

References<br />

Bjørkvold. J-R. 1992. The Muse Within: Creativity and Communication, Song and Play from<br />

Childhood through Maturity. Tran H.Halverson. Aaron Asher Books. New York:<br />

HarperCollins.<br />

Kirby, P.R. 1968/1938. The Musical Instruments of the Native Races of South Africa. 2nd ed.<br />

Johannesburg: Witwatersrand <strong>University</strong> Press.<br />

Mans, M. 1997. Ongoma! Notes on Namibian Musical Instruments. Windhoek: Gamsberg<br />

Macmillan.<br />

Mans, M., and E.Olivier, (forthcoming). Scientific Report for the Project: The Living Musics and<br />

Dance of Namibia: Exploration, Publication, Education. Prepared for the French Department of<br />

Cooperation and Cultural Affairs in Namibia.<br />

Nketia, J.H.Kwabena. 1998. Africa. The Garland <strong>Encyclopedia</strong> of Music, pp. 13–73. New York:<br />

Garland.<br />

Norborg, Å. 1987. A Handbook of Musical and Other Sound-Producing Instruments from Namibia<br />

and Botswana. Stockholm: Musikmuseets skrifter 13.<br />

Sachs, S. (Ed.) 1980/1940. The History of Musical Instruments. London: J.M.Dent.<br />

MINETTE MANS<br />

See also Music; Music in Africa<br />

MYTHS: OVERVIEW<br />

The variety of cultures across the <strong>African</strong> continent offers an equal variety of mythical<br />

narratives of all types and genres. A myth is defined here primarily as a sacred narrative<br />

involving divine, superhuman, or ancestral figures and the processes that have shaped the<br />

world of human observation and experience. The definition addresses content more than<br />

context or form, and the range of examples would include the sometimes comic<br />

etiological narratives told in casual settings, as well as more formalized and even ritual<br />

utterances associated with a restricted or qualified listenership. There are, in practice, few<br />

hard and fast rules for identifying a narrative as a myth rather than a folktale or a legend.<br />

Local terminology may or may not distinguish types of stories that correspond to<br />

recognized global mythical narratives from other sorts (distinctions may involve the<br />

perceived age of the stories as well as their truth value). Context may be the most reliable

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