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African Folklore: An Encyclopedia - Marshalls University

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<strong>African</strong> Americans 131<br />

Folktales<br />

One of the earliest folklore forms that children are exposed to is the folktale. Like<br />

lullabies, adults perform these to children in their earliest years, but some older children,<br />

under the supervision of an elder, perform the stories too. They are performed during the<br />

winter, and in the early hours of the evening. There is a taboo that if one performs them<br />

outside the stipulated restrictions, the performer will grow horns. Folktales are an<br />

important medium for socializing children in that they incorporate various other folklore<br />

forms such as songs, jokes, and riddles. They are also constructed in a manner that allows<br />

audience participation. Most of the tales targeted at children carry important moral<br />

messages, such as good behavior, kindness, respect, cooperation, and love. Some of the<br />

messages are contained in the titles of the tales, for example as in “The Greedy Dog” or<br />

“A Kind Woman.” Many of the characters in the tales are animals, as children usually<br />

like animal characters, finding them entertaining and humorous.<br />

A Ndebele tale has an introduction, a conflict, and a conclusion. It also uses stock<br />

phrases that, over time, children are expected to know. <strong>An</strong>other important aspect of the<br />

tale is the performer, who is expected to be a dramatic narrator of the story. Thus, most of<br />

the performers in Ndebele society are grandmothers or mothers of the family, usually<br />

those that can vocalize, act, and dramatize action, and sing. Schoolteachers also play the<br />

part of the performer, or sometimes they read written folktales to students. Singing is<br />

required as many tales contain a song that plays an important dramatic part in the story,<br />

especially in audience participation. A song’s emotional content is used to dramatize the<br />

high points of the story, and highlight secret messages. In order to prepare an audience,<br />

especially children, to appreciate a character’s feelings or problems, the performer has to<br />

charge them emotionally through song. Some songs contain mysterious, borrowed, or<br />

difficult words for children. So, this gives them the opportunity to expand their<br />

vocabulary. Other things that are used to capture children’s interest are the food served<br />

and the fire around which a tale is built. Since folktaling occurs in the winter months, the<br />

harvesting period, children are treated to corn kernels roasted on the fire. Sometimes<br />

riddling is also used as a means to attract them. <strong>An</strong>other folklore form that is part of<br />

folktaling is a game called imfumba, in which an opponent has to guess the hand in which<br />

the other person is hiding something. Traditionally the adult performing tales for the<br />

children supervised the game.<br />

Riddles<br />

In traditional Ndebele society, riddling did not exist as a separate oral form. Riddles were<br />

always an adjunct of folktaling under the supervision of an adult. However, today riddles<br />

are performed separately from tales, usually by children, mostly at school. There are<br />

different types of riddles: traditional ones, puzzle riddles, and joke riddles. Traditional<br />

riddles depict traditional Ndebele culture, while contemporary ones depict the<br />

experiences of contemporary society. The following riddles testify to these observations.<br />

The first pair is drawn from traditional society, and the second pair from contemporary<br />

society. Here is an example of a traditional riddle: “Ngikulibha ngentaba ephahlwe<br />

ngabafana ababili—likhanda lendlebe” (I riddle you with a mountain that stands between

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