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African Folklore: An Encyclopedia - Marshalls University

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<strong>African</strong> folklore 534<br />

Kigezi, southwestern Uganda, 1995.<br />

Photo © Wade Patterson.<br />

Members of the Nebbi Community<br />

Adungu Group performing social<br />

dance music on adungu bow harps,<br />

Uganda, 1995. Photo © Wade<br />

Patterson.<br />

Waist-Centered Dances:<br />

Dance traditions of the southern regions of Buganda and Busoga emphasize gyrating<br />

waist movement. Upper body motion is minimized while specific foot patterns create the<br />

desired waist movements, which are further accentuated by cloth and skin adornments<br />

worn around the hips.<br />

Leaping and Stamping Dances:<br />

Western Ugandan dances often accentuate movements that bring the feet into forceful<br />

contact with ground. In Bunyoro, for example, activated rattles worn around the ankles<br />

during the ekitaguriro dance emphasize such action. In the northeast, among the<br />

Karamojong, dances in which performers wearing ankle bells leap in place are common.<br />

Dances Emphasizing Arm, Leg, and Head Movement:<br />

Dances of northern and northwestern Uganda use combinations of arm and leg<br />

movements, which often reflect work-related motion. The use of ankle bells is common,<br />

but foot movements are not generally as pronounced as with the western stamping<br />

dances. Waist movement is usually linear (either front to back or side to side) and not<br />

gyrating, as in southern Uganda. Many of the northern regions (such as Acholi and<br />

Karamoja) also use a variety of head adornments that emphasize subtle neck and head<br />

movements.

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