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African Folklore: An Encyclopedia - Marshalls University

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<strong>African</strong> folklore 198<br />

man fell from an oil palm tree and suffered grave injury as punishment for delaying his<br />

father’s funeral beyond three years. Each iman forbids its members to eat the meat of a<br />

particular animal; this creature, according to legend, aided the founder of the village<br />

group in some manner and was thus honored. One song alleged that a man killed and ate<br />

a squirrel, sacred to the <strong>An</strong>ang, which, in the past, would have led to his trial and<br />

execution if found guilty. Although the songs alluded to here were brief, some contained<br />

over a hundred words.<br />

A final word must be said about the dialogues of actors, which are characterized by<br />

the use of archaic words and punning. Many of the puns were based on the tonal nature of<br />

the Ibibio language. One such pun in a play centers on an aggressive demand for a gift of<br />

a uniform (a soldier’s or conductor’s coat) made by a domineering wife to her husband, a<br />

chief. She wielded a machete which she frequently shook in his face; he wore a mask<br />

carved and painted to portray anguish. “So you want an enyen ket?” was his response,<br />

which prompted an even more vehement demand on her part. With this, he chased her<br />

about the square, trying to gouge out her eye with a long wooden thumb attached to his<br />

own: Depending on how “enyen ket” is uttered tonally, it can mean “uniform” or “one<br />

eye”!<br />

References<br />

Graham-White, <strong>An</strong>thony. 1974. The Drama of Black Africa. New York: Samuel French, Inc.<br />

Jeffreys, M.D.W. 1951. The Ekon Players. Eastern <strong>An</strong>thropologist V: 41–7.<br />

Messenger, John C. 1962. <strong>An</strong>ang Art, Drama, and Social Control. In Arts, Human Behavior, and<br />

Africa, ed. Alan P.Merriam. New York: <strong>African</strong> Studies Association.<br />

——. 1971. Ibibio Drama. Africa XLI: 208–22.<br />

JOHN C.MESSENGER<br />

See also Performance; Puppetry; Theater<br />

DRAUGHTS (JEU DE DAMES;<br />

CHECKERS)<br />

The first variation of the game draughts dates from around 1500 CE and became popular<br />

in Great Britain, France, and central Europe. The British continued to play this variation<br />

into the twentieth century. Their game is now referred to as <strong>An</strong>glo-Saxon draughts, or<br />

checkers, as it is known in the United States. The game is characterized by its sixty-four<br />

black and white squares with twelve white and twelve black draughtsmen, or checkers,<br />

on the board. In France, the <strong>An</strong>glo-Saxon game was replaced by “Polish” draughts in the<br />

eighteenth century, a game that had developed in the Netherlands in the seventeenth<br />

century. The playing board counted one hundred black and white squares with twenty<br />

pieces on each side. This game of Polish (or continental) draughts would compete with<br />

<strong>An</strong>glo-Saxon draughts as the European powers gained colonies throughout the world.

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