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DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

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720p60<br />

1280 × 720<br />

1080p30,<br />

1080i30<br />

1920 × 1080<br />

In Numerology of HDTV scanning,<br />

on page 377, I explain the origin<br />

of the numbers in Figure 13.2.<br />

750<br />

1125<br />

1650<br />

2200<br />

1080<br />

720<br />

1280<br />

74.25 MHz 16:9<br />

1920<br />

74.25 MHz 16:9<br />

Figure 13.2 HDTV rasters at 30 and 60 frames per second are standardized in two formats,<br />

1280×720 (1 Mpx, always progressive), and 1920×1080 (2 Mpx, interlaced or progressive). The<br />

latter is often denoted 1080i, but the standards accommodate progressive scan. These sketches are<br />

scaled to match Figures 11.1, 11.2, and 11.6; pixels in all of these sketches have identical area.<br />

HDTV scanning<br />

A great debate took place in the 1980s and 1990s<br />

concerning whether HDTV should have interlaced or<br />

progressive scanning. At given flicker and data rates,<br />

interlace offers some increase in static spatial resolution,<br />

as suggested by Figure 6.8 on page 59. Broadcasters<br />

have historically accepted the motion artifacts<br />

and spatial aliasing that accompany interlace, in order<br />

to gain some static spatial resolution. In the HDTV<br />

debate, the computer industry and the creative film<br />

community were set against interlace. Eventually, both<br />

interlaced and progressive scanning were standardized;<br />

to be commercially viable, a receiver must decode both<br />

formats.<br />

Figure 13.2 above sketches the rasters of the 1 Mpx<br />

progressive system (1280×720, 720p60) and the 2 Mpx<br />

interlaced system (1920×1080, 1080i30) that were<br />

agreed upon. The 1920×1080 system is easily adapted<br />

to 24 and 30 Hz progressive scan (1080i24, 1080i30).<br />

CHAPTER 13 INTRODUCTION TO HDTV 113

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