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DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

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Figure 24.2 Y’P B P R cube is<br />

formed when R’, G’, and B’<br />

are subject to a particular<br />

3×3 matrix transform. The<br />

valid R’G’B’ unit cube occupies<br />

about one-quarter of the<br />

volume of the Y’P B P R unit<br />

cube. (The volume of the<br />

Y’P BP R unit cube, the outer<br />

boundary of this sketch, is<br />

the same as the volume of<br />

the R’G’B’ cube in Figure 24.1<br />

on page 282; however, the<br />

useful codes occupy only the<br />

central prism here.) Luma<br />

and color difference coding<br />

incurs a penalty in signal-tonoise<br />

ratio, but this disadvantage<br />

is compensated by the<br />

opportunity to subsample.<br />

Izraelevitz, David, and Joshua L.<br />

Koslov, “Code Utilization for<br />

Component-coded Digital Video,”<br />

in Tomorrow’s Television, Proc.<br />

16th Annual SMPTE Television<br />

Conference (White Plains, N.Y.:<br />

SMPTE, 1982), 22–30.<br />

1<br />

4<br />

2<br />

· 220 · 225 2784375<br />

=<br />

3<br />

220 10648000<br />

≈ 0. 261<br />

Yl<br />

G<br />

REFERENCE WHITE<br />

It is evident from Figure 24.2 that when R’G’B’ signals<br />

are transformed into the Y’P B P R space of analog video,<br />

the unit R’G’B’ cube occupies only part of the volume<br />

of the unit Y’P BP R cube: Only 1 ⁄4 of the Y’P BP R volume<br />

corresponds to R’G’B’ values all between 0 and 1.<br />

Consequently, Y’P B P R exhibits a loss of signal-to-noise<br />

ratio compared to R’G’B’. However, this disadvantage is<br />

compensated by the opportunity to subsample.<br />

A legal signal is one in which no component exceeds its<br />

reference excursion. Combinations that are R’G’B’-legal<br />

are termed valid. Signals within the Y’P B P R unit cube are<br />

Y’P BP R-legal. However, about 3 ⁄4 of these combinations<br />

correspond to R’G’B’ combinations outside the R’G’B’<br />

unit cube: Although legal, these Y’P BP R combinations<br />

are invalid – that is, they are R’G’B’-illegal.<br />

In digital video, we refer to codewords instead of<br />

combinations. There are about 2.75 million valid codewords<br />

in 8-bit Y’C BC R, compared to 10.6 million in<br />

8-bit studio R’G’B’. If R’G’B’ is transcoded to Y’C BC R ,<br />

then transcoded back to R’G’B’, the resulting R’G’B’<br />

cannot have any more than 2.75 million colors.<br />

CHAPTER 24 LUMA AND COLOR DIFFERENCES 285<br />

Cy<br />

0 Y’ AXIS<br />

1<br />

R<br />

B<br />

Mg<br />

-0.5 0<br />

+0.5<br />

PB AXIS<br />

-0.5<br />

+0.5<br />

P R AXIS<br />

REFERENCE BLACK

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