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DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

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Figure 5.6 Moiré pattern<br />

a form of aliasing in two dimensions,<br />

results when a sampling<br />

pattern (here the perforated<br />

square) has a sampling density<br />

that is too low for the image<br />

content (here the dozen bars,<br />

14° off-vertical). This figure is<br />

adapted from Fig. 3.12 of<br />

Wandell’s Foundations of Vision<br />

(cited on page 195).<br />

Sampling aperture<br />

In a practical image sensor, each element acquires information<br />

from a finite region of the image plane; the<br />

value of each pixel is a function of the distribution of<br />

intensity over that region. The distribution of sensitivity<br />

across a pixel of an image capture device is<br />

referred to as its sampling aperture, sort of a PSF in<br />

reverse – you could call it a point “collection” function.<br />

The sampling aperture influences the nature of the<br />

image signal originated by a sensor. Sampling apertures<br />

used in continuous-tone imaging systems usually peak<br />

at the center of each pixel, fall off over a small distance,<br />

and overlap neighboring pixels to some extent.<br />

In 1915, Harry Nyquist published a landmark paper<br />

stating that a sampled analog signal cannot be reconstructed<br />

accurately unless all of its frequency components<br />

are contained strictly within half the sampling<br />

frequency. This condition subsequently became known<br />

as the Nyquist criterion; half the sampling rate became<br />

known as the Nyquist rate. Nyquist developed his<br />

theorem for one-dimensional signals, but it has been<br />

extended to two dimensions. In a digital system, it<br />

takes at least two elements – two pixels or two scanning<br />

lines – to represent a cycle. A cycle is equivalent to<br />

a line pair of film, or two “TV lines” (TVL).<br />

In Figure 5.6 in the margin, the black square punctured<br />

by a regular array of holes represents a grid of small<br />

sampling apertures. Behind the sampling grid is a set of<br />

a dozen black bars, tilted 14° off the vertical, representing<br />

image information. In the region where the<br />

image is sampled, you can see three wide dark bars<br />

tilted at 45°. Those bars represent spatial aliases that<br />

arise because the number of bars per inch (or mm) in<br />

the image is greater than half the number of apertures<br />

per inch (or mm) in the sampling lattice. Aliasing can be<br />

prevented – or at least minimized – by imposing<br />

a spatial filter in front of the sampling process, as I will<br />

describe for one-dimensional signals in Filtering and<br />

sampling, on page 141, and for two dimensions in<br />

Image presampling filters, on page 192.<br />

46 DIGITAL VIDEO AND HDTV ALGORITHMS AND INTERFACES

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