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DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

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Figure 45.2 Colorbar R’G’B’<br />

primary components in<br />

100/0/<br />

75/<br />

SMPTE colorbars have amplitude<br />

of 75 IRE, denoted<br />

75/0/75/0. A variation<br />

denoted 100/0/75/0, whose<br />

R’, G’, and B’ waveforms are<br />

R’<br />

0<br />

sketched here, places the<br />

white bar at 100 IRE. Other<br />

variations have different<br />

amplitudes for the uncolored<br />

and colored bars. The nota-<br />

G’<br />

tion is described on page 539.<br />

B’<br />

Figure 28.1, on page 336, sketches<br />

a vectorscope display of the U and V<br />

chroma components of colorbars in<br />

NTSC; a comparable diagram for<br />

PAL is shown in Figure 28.8, on<br />

page 344. Vectorscope diagrams of<br />

chroma in component systems are<br />

shown in Component video color<br />

coding for SDTV, on page 301, and<br />

Component video color coding for<br />

HDTV, on page 313.<br />

Figure 45.2 above shows the R’G’B’ components that<br />

produce the upper 2 ⁄3 of the frame of SMPTE colorbars.<br />

Each scan line is based upon a binary sequence of<br />

red, green, and blue values either zero or unity. The<br />

components are arranged in order of their contributions<br />

to luma, so that the eventual luma component<br />

decreases from left to right. (The narrow, central region<br />

of SMPTE bars has the count sequence reversed, and<br />

the green component is forced to zero.)<br />

In studio equipment, in component video, and in PAL<br />

broadcast, the processing, recording, and transmission<br />

channels can accommodate all encoded signals that can<br />

be produced from mixtures of R’G’B’ where each<br />

component is in the range 0 to 1. The 100% colorbar<br />

signal exercises eight points at these limits.<br />

Fully saturated yellow and fully saturated cyan cause<br />

a composite PAL signal to reach a peak value 133 1 ⁄3%<br />

of reference white. However, as detailed on page 337,<br />

an NTSC transmitter’s composite signal amplitude is<br />

limited to 120% of reference white. If 100% bars were<br />

presented to an NTSC transmitter, clipping would<br />

result. To avoid clipping, 75% bars are ordinarily used<br />

to test NTSC transmission. The white bar comprises<br />

primaries at 100%, but the other bars have their<br />

primary components reduced to 75% so as to limit their<br />

composite NTSC peak to the level of reference white.<br />

Figure 45.3 shows the NTSC composite waveform of<br />

a scan line in the upper region of 75% colorbar.<br />

536 DIGITAL VIDEO AND HDTV ALGORITHMS AND INTERFACES

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