08.01.2013 Views

DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

SMPTE RP 71, Setting Chromaticity<br />

and Luminance of White for Color<br />

Television Monitors Using Shadow-<br />

Mask Picture Tubes.<br />

luminance is proportional to physical power; in that<br />

sense it is like intensity. However, its spectral composition<br />

is intimately related to the lightness sensitivity of<br />

human vision. Luminance is expressed in units of<br />

cd·m -2 (“nits”). Relative luminance, which I will<br />

describe in a moment, is a pure number without units.<br />

The luminous efficiency function is also known as the<br />

Y(λ) color-matching function (CMF). Luminance, Y, is<br />

one of three distinguished tristimulus values. The other<br />

two distinguished tristimulus values, X and Z, and<br />

various R, G, and B tristimulus values, will be introduced<br />

in Color science for video, on page 233.<br />

You might intuitively associate pure luminance with<br />

gray, but a spectral power distribution having the shape<br />

of Figure 20.1 would not appear neutral gray! In fact, an<br />

SPD of that shape would appear distinctly green. As<br />

I will detail in The CIE system of colorimetry, on<br />

page 211, it is very important to distinguish analysis<br />

functions – called color-matching functions, or CMFs –<br />

from spectral power distributions. The luminous efficiency<br />

function takes the role of an analysis function,<br />

not an SPD.<br />

Relative luminance<br />

In image reproduction – including photography, cinema,<br />

video, and print – we rarely, if ever, reproduce the absolute<br />

luminance of the original scene. Instead, we reproduce<br />

luminance approximately proportional to scene<br />

luminance, up to the maximum luminance available in<br />

the reproduction medium. We process or record an<br />

approximation to relative luminance. To use the unqualified<br />

term luminance would suggest that we are<br />

processing or recording absolute luminance.<br />

In image reproduction, luminance is usually normalized<br />

to 1 or 100 units relative to a specified or implied reference<br />

white; we assume that the viewer will adapt to<br />

white in his or her ambient environment. SMPTE has<br />

standardized studio video monitors to have a reference<br />

white luminance of 103 cd·m -2, and a reference white<br />

chromaticity of CIE D 65 . (I will introduce CIE D 65 on<br />

page 224.)<br />

206 DIGITAL VIDEO AND HDTV ALGORITHMS AND INTERFACES

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!