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DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

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If you use CTI, you run the risk of introducing excessive<br />

emphasis on edges. Also, CTI operates only on the horizontal<br />

dimension: Excessive CTI is liable to become<br />

visible owing to perceptible (or even objectionable)<br />

differences between the horizontal and vertical characteristics<br />

of the image. CTI works well on cartoons, and<br />

on certain other types of images. However, it should be<br />

used cautiously.<br />

Scan-velocity modulation (SVM)<br />

CRT displays are subject to limitations of how fast the<br />

electron beam can change from one state to another<br />

(for example, from on to off). These limitations are<br />

imposed by limited bandwidth of the video amplifiers<br />

and by the electrical capacitance that the CRT’s cathode<br />

or grid presents to the driving circuitry. These limitations<br />

are reflected as limited spatial resolution of the<br />

reproduced image: An edge is reproduced across a horizontal<br />

dimension wider than desired.<br />

One way to reduce the dimension of an edge involves<br />

making the electron beam position responsive to<br />

changes in beam intensity. If intensity is increasing<br />

rapidly as the beam goes left-to-right, the beam can be<br />

accelerated. If intensity is decreasing rapidly, the beam<br />

can be decelerated so that it dwells longer on areas of<br />

the screen that require high intensity. This process is<br />

scan-velocity modulation (SVM). Luma (or some comparable<br />

quantity) is processed through a high-pass filter;<br />

the result is amplified and applied to the horizontal<br />

deflection circuit of the CRT.<br />

Note that all of the red, green, and blue beams are<br />

deflected together: The technique is effective only on<br />

black-to-white or white-to-black transitions. In<br />

a magenta-to-green transition, both red and blue are<br />

negative-going, even though luma is increasing: In this<br />

example, SVM has unintended effects on red and blue.<br />

Mixing and keying<br />

Mixing video signals together to create a transition, or<br />

a layered effect – for example, to mix or wipe – is called<br />

compositing. In America, a piece of equipment that<br />

performs such effects is a production switcher. In<br />

CHAPTER 27 VIDEO SIGNAL PROCESSING 333

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