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DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

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COMPOSITE<br />

NTSC<br />

VIDEO<br />

Saturation<br />

Hue<br />

Y’/C<br />

SEPARATOR<br />

Y’<br />

C<br />

SUBCARRIER<br />

REGENERATOR<br />

sin<br />

cos<br />

CHROMA<br />

DEMODULATOR<br />

CHROMA<br />

GAIN<br />

QUADRATURE<br />

DEMODULATOR<br />

LOWPASS FILTER<br />

LOWPASS FILTER<br />

Figure 28.10 NTSC decoder controls. Saturation alters chroma gain. Hue rotates the [U, V]-plane<br />

as viewed on a vectorscope. These controls were necessitated by the instability of analog receivers.<br />

Modern circuits are sufficiently stable that user adjustment of these controls is no longer necessary.<br />

Figure 28.11 Saturation<br />

control in a decoder alters<br />

chroma gain. The comparable<br />

control in processing<br />

equipment is chroma gain.<br />

Figure 28.12 Hue control<br />

is usually implemented in a<br />

decoder by altering phase<br />

of regenerated subcarrier,<br />

so as to rotate the demodulated<br />

[U, V] components.<br />

The comparable control in<br />

processing equipment is<br />

chroma phase.<br />

Figure 28.10 shows the block diagram of an NTSC or<br />

PAL decoder, augmented to reflect the places in the<br />

signal flow where the these controls are effected.<br />

The saturation control, whose icon is shown in<br />

Figure 28.11, alters the gain of modulated chroma prior<br />

to demodulation. (Alternatively, the control can be<br />

implemented by altering the gain of both decoded<br />

color difference components.) This control is sometimes<br />

called color, but saturation is preferred because<br />

it is ambiguous whether color should adjust which<br />

color (hue) or the amount of color (saturation). This<br />

control is found in both NTSC and PAL decoders.<br />

The hue control, whose icon is shown in Figure 28.12,<br />

rotates the decoded colors around the [U, V] plot of<br />

Figure 28.1; it is implemented by altering the phase of<br />

regenerated subcarrier. This control is sometimes called<br />

tint. That name is misleading and should be avoided,<br />

because to an artist, tint refers to adding white to<br />

increase lightness and decrease saturation – to an artist,<br />

to tint a color preserves its hue! As I mentioned on<br />

page 342, PAL has inherent immunity to hue errors<br />

arising from differential phase errors; consequently, the<br />

hue control is usually omitted from PAL decoders.<br />

CHAPTER 28 NTSC AND PAL CHROMA MODULATION 347<br />

Y’<br />

U<br />

V

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