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DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

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50 1135<br />

625 ×<br />

2 4<br />

4 433618750<br />

⎛ ⎞ ⎛<br />

⎜ Hz⎟<br />

× ⎜ +<br />

⎝ ⎠ ⎝<br />

= .<br />

MHz<br />

1135<br />

4<br />

1 709379<br />

+ =<br />

625 2500<br />

11× 64489<br />

=<br />

2 3<br />

2 ×<br />

5<br />

1 ⎞<br />

625<br />

⎟<br />

⎠<br />

576i PAL color subcarrier<br />

In 576i PAL, the color subcarrier frequency is based on<br />

an odd multiple of one-quarter the line rate, using the<br />

factor 1135 ⁄4 (or for PAL-N, 909 ⁄4). The odd multiple of<br />

one-quarter, combined with the line-to-line alternation<br />

of the phase of the V color difference component,<br />

causes the U and V color components to occupy separate<br />

parts of the composite signal spectrum. This makes<br />

the PAL signal immune to the hue errors that result<br />

when an NTSC signal is subject to differential phase<br />

distortion.<br />

In standard PAL-B, PAL-G, PAL-H, and PAL-I, an offset<br />

of +25 Hz is added to the basic subcarrier frequency so<br />

as to minimize the visibility of the Hannover bar effect.<br />

The 25 Hz offset means that the phase relationship of<br />

subcarrier to horizontal advances exactly +0.576° each<br />

line. Consequently, subcarrier-locked sampling in PAL is<br />

not line-locked: The subcarrier phase, modulo 90°, of<br />

vertically aligned samples is not identical! The introduction<br />

of the +25 Hz offset destroyed the simple integer<br />

ratio between subcarrier and line rate: The ratio is quite<br />

complex, as shown in the margin. The prime factor<br />

64489 is fairly impenetrable to digital techniques.<br />

4fSC sampling<br />

The earliest digital television equipment sampled<br />

composite NTSC or PAL video signals. It was convenient<br />

for composite digital NTSC equipment to operate<br />

at a sampling frequency of exactly four times the color<br />

subcarrier frequency, or about 14.318 MHz, denoted<br />

4fSC. This rate is sometimes sloppily referred to as D-2,<br />

although that term properly refers to the corresponding<br />

videotape format, not the sampling structure.<br />

Any significant processing of a picture, such as repositioning,<br />

resizing, rotating, and so on, requires that the<br />

signal be represented in components. For this reason,<br />

component video equipment is preferred in production<br />

and postproduction. But 4f SC equipment has half the<br />

data rate of Rec. 601 equipment; 4f SC equipment is<br />

cheaper than component equipment, and continues to<br />

dominate broadcast operations.<br />

CHAPTER 31 FRAME, FIELD, LINE, AND SAMPLE RATES 375

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