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DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

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Viewing environment<br />

Max. luminance,<br />

cd·m –2<br />

Typical simul.<br />

contrast ratio L* range<br />

Cinema 40 80:1 11…100<br />

Television (living room) 100 20:1 27…100<br />

Office 200 5:1 52…100<br />

Table 19.1 Typical simultaneous contrast ratios in image display are summarized.<br />

Y0 : Adaptation (surround)<br />

luminance<br />

Y: Test luminance<br />

∆Y: Increment in test luminance<br />

Figure 19.3 Contrast sensitivity<br />

test pattern is<br />

presented to an observer in<br />

an experiment to determine<br />

the contrast sensitivity<br />

of human vision. The<br />

experimenter adjusts ∆Y;<br />

the observer reports<br />

whether he or she detects<br />

a difference in lightness<br />

between the two patches.<br />

During the course of the day we experience a wide<br />

range of illumination levels; adaptation adjusts accordingly.<br />

But in video and film, we are nearly always<br />

concerned with viewing at a known adaptation state, so<br />

a simultaneous contrast ratio of 100:1 is adequate.<br />

Contrast sensitivity<br />

Within the two-decade range of luminance that is<br />

useful for image reproduction, vision has a certain<br />

threshold of discrimination. It is convenient to express<br />

the discrimination capability in terms of contrast sensitivity,<br />

which is the ratio of luminances between two<br />

adjacent patches of similar luminance.<br />

Figure 19.3 below shows the pattern presented to an<br />

observer in an experiment to determine the contrast<br />

sensitivity of human vision. Most of the observer’s field<br />

of vision is filled by a surround luminance level, Y 0 ,<br />

which fixes the observer’s state of adaptation. In the<br />

central area of the field of vision are placed two<br />

adjacent patches having slightly different luminance<br />

Y 0<br />

Y Y+∆Y<br />

198 DIGITAL VIDEO AND HDTV ALGORITHMS AND INTERFACES

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