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DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

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It is unfortunate that the formulation<br />

used in video is reversed<br />

from the convention established<br />

by Euler in 1758, and ubiquitous<br />

in mathematics, that<br />

θ<br />

2<br />

= cos θ + sin θ,<br />

= −1<br />

where is associated with the<br />

y-axis. The video formulation also<br />

opposes convention in communications<br />

theory, where the carrier<br />

is considered to be a cosine wave,<br />

not a sine wave.<br />

Chroma subcarrier<br />

Phase (encodes Hue)<br />

Amplitude<br />

(encodes Saturation)<br />

Figure 28.3 Quadrature<br />

modulation can be viewed<br />

as simultaneous phase and<br />

amplitude modulation.<br />

The exact subcarrier frequency is not important to<br />

quadrature modulation, but it is critical to frequency<br />

interleaving, as I will detail in NTSC and PAL frequency<br />

interleaving, on page 349. The spectrum of the modulated<br />

chroma is sketched at the right of Figure 28.2.<br />

The sum of the sine and cosine terms is then bandpass<br />

filtered, producing the modulated chroma spectrum<br />

sketched at the right of Figure 28.2. Modulated chroma<br />

is centered on the subcarrier. With U and V bandwidth<br />

of 1.3 MHz, the lower sideband extends 1.3 MHz below<br />

the subcarrier frequency, and the upper sideband<br />

extends 1.3 MHz above. (In NTSC and PAL frequency<br />

interleaving, on page 349, I will discuss how much<br />

chroma bandwidth is preserved in transmission.)<br />

If you transform the two color differences U and V from<br />

rectangular to polar coordinates, you can think of U and<br />

V as being conveyed by a combination of phase and<br />

amplitude modulation, as suggested by Figure 28.3 in<br />

the margin. Consider the point in the chroma plane<br />

plotted at coordinates [U, V]. The angle from the x-axis<br />

to the point relates to the hue attribute of the associated<br />

color; this quantity effectively modulates subcarrier<br />

phase. The distance from the origin to the point<br />

[U, V] relates to the saturation of the color; this quantity<br />

effectively modulates subcarrier amplitude.<br />

It is standard to sample digital composite video at four<br />

times the subcarrier frequency, 4f SC . Early digital NTSC<br />

systems sampled on the [B’-Y’, R’-Y’] axes – that is,<br />

sampling took place at the 0°, 90°, 180°, and 270°<br />

phases of subcarrier, so the sine subcarrier took values<br />

chosen cyclically from {0, 1, 0, -1}; the cosine subcarrier<br />

took values chosen cyclically from {1, 0, -1, 0}.<br />

In early 4f SC NTSC systems, multiplying sine by U and<br />

cosine by V, and adding the two products, gave digital<br />

modulated chroma samples {V, U, -V, -U}. However,<br />

when the SMPTE 244M standard was established for<br />

4f SC NTSC, it called for sampling on the [I, Q] axes –<br />

that is, at the 33° phase of subcarrier. In modern 4f SC<br />

NTSC equipment, digital modulated chroma samples<br />

take values chosen cyclically from {I, Q, -I, -Q}. In the<br />

CHAPTER 28 NTSC AND PAL CHROMA MODULATION 339

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