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DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

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For details, consult the<br />

Hazeltine Laboratories publication<br />

cited on page 366.<br />

fSC,NTSC = fH,480i 455<br />

2<br />

modulated, and with an analog sound modulator even<br />

perfect silence cannot be guaranteed to generate an FM<br />

carrier of exactly 4.5 MHz. Nonetheless, making the FM<br />

sound carrier average out to 4.5 MHz was thought to<br />

have some value.<br />

Addition of composite color<br />

NTSC and PAL color coding both employ the frequencyinterleaving<br />

technique to achieve compatibility with<br />

monochrome systems. With frequency interleaving, the<br />

color subcarrier frequency is chosen to alternate phase<br />

line by line, so as to minimize the visibility of encoded<br />

color on a monochrome receiver. This line-to-line phase<br />

relationship makes it possible to accurately separate<br />

chroma from luma in an NTSC decoder that incorporates<br />

a comb filter (although a cheaper notch filter can<br />

be used instead).<br />

NTSC color subcarrier<br />

In 1953, the second NTSC decided to choose a color<br />

subcarrier frequency of approximately 3.6 MHz. They<br />

recognized that any nonlinearity in the processing of<br />

the composite color signal with sound – such as limiting<br />

in the intermediate frequency (IF) stages of a receiver –<br />

would result in intermodulation distortion between the<br />

sound subcarrier and the color subcarrier. The difference,<br />

or beat frequency, between the two subcarriers,<br />

about 920 kHz, falls in the luminance bandwidth and<br />

could potentially have been quite visible.<br />

The NTSC recognized that the visibility of this pattern<br />

could be minimized if the beat frequency was lineinterlaced.<br />

Since the color subcarrier is necessarily an<br />

odd multiple of half the line rate, the sound subcarrier<br />

had to be made an integer multiple of the line rate.<br />

The NTSC decided that the color subcarrier should be<br />

exactly 455 ⁄2 times the line rate. Line interlace of the<br />

beat could be achieved by increasing the sound-to-line<br />

rate ratio (previously 285 5 ⁄7) by the fraction 1001 ⁄1000 to<br />

the next integer (286).<br />

Setting broadcast standards was (and is) the responsibility<br />

of the Federal Communications Commission. The<br />

CHAPTER 31 FRAME, FIELD, LINE, AND SAMPLE RATES 373

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