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DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

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EBU Tech. R62, Recommended<br />

dominant field for 625-line 50-Hz<br />

video processing.<br />

A piece of equipment that performs this film-to-video<br />

conversion in realtime is called a telecine. (The term film<br />

scanner ordinarily implies nonrealtime operation.)<br />

In 480i29.97 systems, the film is run 0.1% slow, at<br />

about 23.976 Hz, so that the 5 ⁄2 ratio of 2-3 pulldown<br />

results in a field rate of exactly 59.94 Hz. Figure 36.1<br />

sketches four film frames; beside the set of film frames<br />

is the sequence of video fields produced by 2-3 pulldown.<br />

The 1 and 2 labels at the right indicate the first<br />

and second fields in an interlaced system.<br />

This scheme is often called 3-2 pulldown. However,<br />

SMPTE standards assign letters A, B, C, and D to sets of<br />

four film frames; the A-frame is associated with the<br />

frame without a duplicate (redundant) field, so the<br />

sequence is best described as 2-3, not 3-2.<br />

When a 2-3 sequence is associated with nondropframe<br />

timecode, it is standard for the A-frames to take timecode<br />

numbers ending in 0 and 5.<br />

In a sequence containing 2-3 pulldown, cadence refers<br />

to the temporal regularity of the A-frames. Careful<br />

editing preserves cadence; careless editing disrupts it.<br />

In an interlaced sequence, field dominance refers to the<br />

field parity (first or second) where temporal coherence<br />

is susceptible to interruption due to editing. In principle,<br />

video edits can be made at any field; however, it<br />

is poor practice to make edits anywhere except the<br />

beginning of field one. (See page 403.)<br />

In 480i consumer laserdiscs (now obsolete), video<br />

sequences incorporating 2-3 pulldown were fully<br />

recorded on the disc, despite the 20% waste of storage<br />

capacity. Stepping through disc frames would result in<br />

certain frames displaying content from two different<br />

film frames, in the manner of the static lattice of<br />

Figure 6.12 on page 61. A “white flag” was encoded on<br />

the disc, in the vertical interval associated with each<br />

new film frame; the flag allowed laserdisc players to<br />

correctly weave fields together for playback of stills.<br />

430 DIGITAL VIDEO AND HDTV ALGORITHMS AND INTERFACES

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