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DigitalVideoAndHDTVAlgorithmsAndInterfaces.pdf

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chroma (cont’d)<br />

modulation 94, 105<br />

in NTSC 338<br />

in PAL 341<br />

in SECAM 576<br />

quadrature 105<br />

wideband I, in NTSC 298, 365,<br />

369 (sketch)<br />

see also quadrature modulation<br />

phase 106<br />

adjustment 347<br />

error 336<br />

subsampling 16, 76, 80, 90 (sketch)–93,<br />

174, 185, 292<br />

notation 91<br />

3:1:0 467<br />

3:1:1 91, 426, 471<br />

4:1:1 90<br />

4:2:0 91<br />

4:2:0p 100<br />

4:2:2 90<br />

4:2:2p 100<br />

4:4:4 90<br />

8:8:8 506<br />

in 480p and 483p 100<br />

in DV 462<br />

in DV50 467<br />

in JPEG 448, 458<br />

in MPEG-2 476, 479, 487<br />

field pictures 479 (sketch)<br />

not considered compression 108,<br />

119<br />

transition improvement (CTI) 330, 332<br />

chromaticity<br />

CIE [x, y] 219–221<br />

EBU Tech. 3213 238<br />

in JPEG 459<br />

of primaries 236<br />

in colorbars 539<br />

Rec. 709 239<br />

SMPTE 240M 239<br />

SMPTE RP 145 239<br />

chrominance 94<br />

see also chroma<br />

CIC (cascaded integrator comb) 154<br />

Ciciora, Walter 109, 590<br />

CIE 88, 205, 211, 213<br />

chromaticity 219–221<br />

CIELAB see CIE L*a*b*<br />

CIELUV see CIE L*u*v*<br />

Illuminant C (obsolete) 225, 236, 238<br />

660<br />

CIE (cont’d)<br />

Illuminant D 65 213 (graph), 218 (table)<br />

in EBU Tech. 3213 225, 238<br />

in Rec. 709 239<br />

in SMPTE RP 145 239<br />

white adaptation 222<br />

Illuminant E 224<br />

L* (lightness) 208<br />

L*a*b* 228–229<br />

L*u*v* 226, 229<br />

luminance (Y) 11, 205–207<br />

luminous efficiency function 205 (graph)<br />

RGB primaries 236<br />

Standard Observer 216<br />

tristimulus 217<br />

u’v’ 226<br />

uv (1960, obsolete) 226<br />

[x, y] chromaticity 219–221<br />

see also chromaticity<br />

XYZ tristimulus 217<br />

poor perceptual uniformity 228<br />

see also tristimulus<br />

CIELAB see CIE L*a*b*<br />

CIELUV see CIE L*u*v*<br />

Cinch connector 408<br />

cinema<br />

ambient illumination 196<br />

aspect ratio 4<br />

D-cinema 115<br />

frame rate 52, 431<br />

luminance levels 196, 198, 206<br />

rendering intent 82<br />

transfer function 85, 269<br />

see also film<br />

clamp 408<br />

back porch 327<br />

Clarke, R.J. 150<br />

class, in DV 466<br />

clean aperture 55 (sketch), 324<br />

in 480i 505<br />

in 576i 525<br />

in 720p HDTV 549<br />

in 1080i, 1080p HDTV 563<br />

clipping<br />

of extreme values<br />

in filtering 156, 194<br />

R’G’B’ 277<br />

in brightness or contrast adjustment<br />

28, 30<br />

in conversion of Rec. 601 to computing<br />

R’G’B’ 328–329 (sketch)<br />

in CRT 27<br />

in NTSC transmission 338, 536

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