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Jack Salzman, Cornel West Struggles in the Promised

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Between Words and Deeds \\ 89<br />

groups: <strong>the</strong> massive Jewish transfer of population to <strong>the</strong> United States from<br />

Eastern Europe, and <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>gs of <strong>the</strong> Great Migration of rural, sou<strong>the</strong>rn<br />

Blacks to <strong>the</strong> cities of <strong>the</strong> North. This period also marked <strong>the</strong> rise of Jim Crow,<br />

<strong>the</strong> constitutional sanction of segregation, <strong>the</strong> "normalization" of lynch<strong>in</strong>g, and<br />

race violence as facts of everyday life for America's Black population. For Jews,<br />

this half century saw <strong>the</strong> outbreak of pogroms <strong>in</strong> Russia at <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g of <strong>the</strong><br />

era and <strong>the</strong> triumph of Naziism on <strong>the</strong> o<strong>the</strong>r. Both peoples debated how best to<br />

organize and equip <strong>the</strong>mselves <strong>in</strong> a larger, hostile world. In both communities,<br />

elites sought to shape <strong>the</strong> behavior of antiauthoritarian masses.<br />

The leadership strata <strong>in</strong> both <strong>the</strong> Jewish and Black communities each used <strong>the</strong><br />

image of <strong>the</strong> o<strong>the</strong>r as a device to frame contemporary concerns. In both cases elites<br />

offered ord<strong>in</strong>ary people a complex image of <strong>the</strong> o<strong>the</strong>r <strong>in</strong> <strong>the</strong> context of more extensive<br />

communal discussions about <strong>the</strong>ir past as a group, <strong>the</strong> mean<strong>in</strong>g of America,<br />

and prospects for survival. Shapers of op<strong>in</strong>ion <strong>in</strong> <strong>the</strong> Jewish and Black communities<br />

each <strong>in</strong>vented a whole range of images about <strong>the</strong> group's past, its present status,<br />

and hopes for <strong>the</strong> future. Intr<strong>in</strong>sic to those was <strong>the</strong> image of <strong>the</strong> "o<strong>the</strong>r." 6<br />

Blacks <strong>in</strong> <strong>the</strong> Eyes of jews<br />

For Jews, <strong>the</strong> image of Blacks—as victims of racism, as slaves and impoverished<br />

sharecroppers, as bearers of a noble history of struggle, and as <strong>the</strong> creators of a<br />

vibrant culture of music, <strong>the</strong>ater, and art—figured prom<strong>in</strong>ently <strong>in</strong> <strong>the</strong> communal<br />

discourse about America. 7 From <strong>the</strong> highly Americanized, Reform-oriented world<br />

associated with, for example, The American Israelite and o<strong>the</strong>r English-language<br />

periodicals, through <strong>the</strong> Socialist-<strong>in</strong>spired Yiddish-language press, discussions of<br />

race, racism, and racial striv<strong>in</strong>gs conjo<strong>in</strong>ed <strong>the</strong> ways <strong>in</strong> which Jews thought of<br />

<strong>the</strong>mselves with <strong>the</strong> ways <strong>in</strong> which <strong>the</strong>y described Blacks. Jewish public op<strong>in</strong>ion,<br />

whe<strong>the</strong>r <strong>in</strong> Yiddish or <strong>in</strong> English, acknowledged that <strong>the</strong> subjugation of African<br />

Americans amounted to a "sta<strong>in</strong> of shame on <strong>the</strong> American flag" (an often repeated<br />

phrase <strong>in</strong> <strong>the</strong> Yiddish press) and that Black people "are so justified <strong>in</strong> protest<strong>in</strong>g<br />

aga<strong>in</strong>st bad treatment."<br />

Jewish commentary on <strong>the</strong> status of Blacks <strong>in</strong> America transcended neutral<br />

reportage and even beyond passionate condemnations of racism. Ra<strong>the</strong>r, Jews<br />

publicly and specifically l<strong>in</strong>ked <strong>the</strong>mselves and <strong>the</strong>ir history and fate with that<br />

of Blacks. Jews and Blacks, <strong>the</strong>y declared, shared a field of understand<strong>in</strong>g and<br />

a common political agenda. Employ<strong>in</strong>g <strong>the</strong> resonant words and graphic imagery<br />

of Jewish life—"pogrom," "ghetto," "auto-da-fe," "Cossacks," "black hundred,"<br />

"blood libel"—Jews claimed to understand Blacks better than did o<strong>the</strong>r<br />

Americans.<br />

Political and artistic discussions both focused on <strong>the</strong> ways <strong>in</strong> which Jews and<br />

Blacks understood each o<strong>the</strong>r. Novelist Meyer Lev<strong>in</strong> said of <strong>the</strong> Black production,<br />

"Run, Little Chillun'!" "<strong>the</strong> play seemed a revelation out of traditions so deeply<br />

ak<strong>in</strong> to our own Jewish traditions that at times it was difficult to keep from rush-

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