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Jack Salzman, Cornel West Struggles in the Promised

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382 // PATRICIA J.WILLIAMS<br />

Someone else was Romany but "pass<strong>in</strong>g" because "people don't trust gypsies." I<br />

learned a lot about wars <strong>in</strong> Armenia, potato fam<strong>in</strong>es <strong>in</strong> Ireland, civil war <strong>in</strong><br />

Ghana, oppression <strong>in</strong> Latvia, electoral fraud <strong>in</strong> Palau, <strong>in</strong>dependence movements<br />

<strong>in</strong> Scotland, and <strong>the</strong> literary tradition of magical realism <strong>in</strong> South America. The<br />

whole history of <strong>the</strong> last three centuries of global displacement of <strong>in</strong>digenous peoples<br />

began to unfold from beneath <strong>the</strong> serene facade of <strong>the</strong>se very American<br />

friends with <strong>the</strong>ir Georgia locutions and New York accents and Midwestern vowels<br />

and San Fernando Valley <strong>in</strong>flections—<strong>the</strong> rich, pa<strong>in</strong>ful, nuanced, complex,<br />

compressed amalgam that is American culture <strong>in</strong> its most generous sense<br />

It's complicated, this creation of cultural identity, perhaps a more complicated<br />

<strong>in</strong>vestment than mere words can capture. As I write, my son, at eighteen<br />

months, rolls on <strong>the</strong> floor of my office, chatter<strong>in</strong>g happily to himself. He eyes <strong>the</strong><br />

floor-to-ceil<strong>in</strong>g bookcases of African literature and Japanese poetry and<br />

Encyclopedia Brittanicas and H<strong>in</strong>du art with satisfaction, turn<strong>in</strong>g his body this way<br />

and that, exam<strong>in</strong><strong>in</strong>g <strong>the</strong> literary landscape now sideways, now upside down. He<br />

is so extremely comfortable, fasc<strong>in</strong>ated, acquisitive. By his gaze, he makes "my"<br />

world his. He <strong>in</strong>vests himself, he becomes part of this room. He rolls and sighs<br />

and exam<strong>in</strong>es and pats his stomach. He is learn<strong>in</strong>g where he belongs and that<br />

sense of belong<strong>in</strong>g will make a certa<strong>in</strong> property of <strong>the</strong> familiar.<br />

The familiar is <strong>the</strong> property of belong<strong>in</strong>g, I guess.<br />

A Ghanaian student, years ago, asked me about <strong>the</strong> anonymity that I must suf-<br />

fer because of my slave heritage. He could not conceive of such rootlessness, <strong>the</strong><br />

not know<strong>in</strong>g that afflicts both whites and Blacks <strong>in</strong> America, it frightened him.<br />

He described <strong>the</strong> songs by which he could trace his family, his tribe, his ancestors,<br />

back for generations. He described it as a system <strong>in</strong> which <strong>the</strong>re was great respect<br />

not just for one's l<strong>in</strong>eage, but for <strong>the</strong> memorization and oral recitation of that l<strong>in</strong>-<br />

eage. Words were so special because <strong>the</strong>y bore <strong>the</strong> rema<strong>in</strong>s of one's ancestors and<br />

loved ones. It was so important to him that words be handled with care, that <strong>the</strong>y<br />

be ordered and precise and car<strong>in</strong>g. He called this <strong>the</strong> "property" of his life's <strong>in</strong>heritance.<br />

There was no room for carelessness, for that would be to let part of oneself<br />

die. I said that 1 could not conceive of be<strong>in</strong>g so thoroughly known. "Our property<br />

is much more alienable," I said, almost idly, before I heard its import. He<br />

agreed that <strong>the</strong>re was someth<strong>in</strong>g essentially anti-<strong>in</strong>dividualist, even anti-democratic<br />

<strong>in</strong> this memoriz<strong>in</strong>g of one's legacy, but he <strong>in</strong>sisted that wisdom has a particular<br />

worded shape; to alter it is to result not just <strong>in</strong> blasphemy but <strong>in</strong> irretrievable<br />

loss.<br />

I do try, from time to time, to imag<strong>in</strong>e this world from which he spoke—a<br />

culture <strong>in</strong> whose mythology words might be that precious, a realm <strong>in</strong> which<br />

words were conceived as vessels for communications from <strong>the</strong> heart, a society <strong>in</strong><br />

which words are holy, and where <strong>the</strong> challenge of life is based upon <strong>the</strong> quest<br />

for gentle words, holy words, gentle truths, holy truths. I try to imag<strong>in</strong>e for<br />

myself a world <strong>in</strong> which <strong>the</strong> words one gives one's children are <strong>the</strong> shell <strong>in</strong>to<br />

which <strong>the</strong>y shall grow, so one chooses one's words carefully, like precious gifts,

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