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Jack Salzman, Cornel West Struggles in the Promised

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THE MEDIEVAL BACKGROUND<br />

WILLIAM CHESTER IORDAN<br />

,-=ost sophisticated Christian readers of religious texts <strong>in</strong> <strong>the</strong> European<br />

Middle Ages recognized four levels of <strong>in</strong>terpretation. The first was literal<br />

and addressed <strong>the</strong> basic matters of physical reality. If <strong>the</strong> word<br />

"Jerusalem" appeared <strong>in</strong> scripture, its literal <strong>in</strong>terpretation evoked <strong>the</strong> biblical or<br />

historical city <strong>in</strong> Israel. However, Jerusalem also connoted <strong>the</strong> Church allegorically,<br />

<strong>the</strong> believ<strong>in</strong>g soul morally, and <strong>the</strong> heavenly City of God mystically. 1<br />

Similarly, <strong>the</strong> words "Jew" (Lat<strong>in</strong> Judeus or any of its vernacular forms) and<br />

"Blackness" (nigredo with its vernacular synonyms) had various levels of mean<strong>in</strong>g<br />

<strong>in</strong> <strong>the</strong> texts <strong>in</strong> which we f<strong>in</strong>d <strong>the</strong>m. "Jew" literally denoted a person who professed<br />

<strong>the</strong> religion of Judaism ei<strong>the</strong>r <strong>in</strong> biblical or contemporary times; "Blackness," <strong>the</strong><br />

absence of light. Yet, allegorically <strong>the</strong> words "Jew" and "Blackness" conjured <strong>the</strong><br />

Devil; morally <strong>the</strong>y denoted evil; and mystically <strong>the</strong>y evoked <strong>the</strong> Day of<br />

Judgment. Although this negative cast given to <strong>the</strong> two terms was not entirely<br />

unrelieved, derogatory and demean<strong>in</strong>g associations were those which predom<strong>in</strong>ated<br />

<strong>in</strong> <strong>the</strong> Middle Ages.<br />

Jews and dark-sk<strong>in</strong>ned people <strong>in</strong> Europe, <strong>the</strong>refore, suffered under <strong>the</strong> same or<br />

similar symbolic and metaphorical impediments throughout <strong>the</strong> Middle Ages.<br />

The difference, of course, is that <strong>the</strong>se symbols and metaphors, often refigured as<br />

stereotypes, had far more immediate and tragic consequences for <strong>the</strong> many Jews<br />

than for <strong>the</strong> few Blacks who lived <strong>in</strong> medieval Europe. Only <strong>in</strong> <strong>the</strong> long term, as<br />

a result of <strong>the</strong> colonization and enslavement of large numbers of dark-sk<strong>in</strong>ned<br />

people <strong>in</strong> <strong>the</strong> post-medieval period, would <strong>the</strong> consequences be comparable.<br />

Medieval Images of <strong>the</strong> jew<br />

two<br />

Before <strong>the</strong> eleventh century many Christian pr<strong>in</strong>ces, like <strong>the</strong> Visigothic k<strong>in</strong>gs of<br />

Spa<strong>in</strong> of <strong>the</strong> sixth and seventh centuries, and many clerics, such as Agobard, <strong>the</strong><br />

n<strong>in</strong>th-century bishop of Lyons, himself an Iberian by birth, expressed and acted<br />

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