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Arte e Educação - Fundação Bienal do Mercosul

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368<br />

the neighbourhood 100.1 FM station (it can be<br />

heard on radio from a distance of about to 3<br />

kilometres). The 6 hours of transmission are also<br />

recorded and during the week we carry out work<br />

editing and assembling to transform part of these<br />

productions into other formats (microprogramme,<br />

podcast, etc.), which are then<br />

broadcast on various platforms (AM and FM<br />

radio, and several internet platforms). The aim is<br />

for these productions to be able to reach the<br />

“common man” and cover various geographical<br />

regions and diverse publics. Later, we try to obtain<br />

records the effects on listeners, bringing this back<br />

into the mechanism again. This record is obtained<br />

by recording telephone calls from listeners to the<br />

re-transmission radio station, or to our<br />

organisation’s base, together with live Skype<br />

listener communications. We also have records of<br />

the emails sent to patients and messages from the<br />

web page. This to-and-fro traffic opens<br />

possibilities for processes of mutual transformation<br />

in the areas of project impact.<br />

Four years ago La Colifata also started a television<br />

project. It took 12 years for this to come about.<br />

We had always said no. There is a risk of<br />

overexposure on a platform like TV and,<br />

furthermore, discussion of the problem of<br />

stigmatisation requires raising that issue connected<br />

to market logics and the problematics of the public<br />

and the private. From the market point of view,<br />

the other is always a consumer. If the formula<br />

were to present the public with scenes of the<br />

private, treating it as spectacle, there would on<br />

the other side be a consumer probably attracted<br />

to the obscenity of an unveiled image, with the<br />

absence of metaphor, someone who voyeuristically<br />

consumes “strange things”, like someone going to<br />

a zoo. I am not referring here to anything we <strong>do</strong><br />

not know, in light of the current abundance of<br />

Talk Shows and Reality Television. Our aim is to<br />

prevent this and at the same time to encourage<br />

processes connected to the construction of<br />

citizenship and healthy spaces.<br />

A space was created where the community can<br />

also construct La Colifata TV in the same way as<br />

the radio station.<br />

La Colifata not only reaches the community<br />

directly, that is through communicative content<br />

that later accesses platforms for release into social<br />

circulation, but we also make what we call direct<br />

interventions in the community: we <strong>do</strong> “open<br />

radio” and also carry out an action programme<br />

called La Colifata Solidaria.<br />

Open radio literally takes the radio from<br />

psychiatry; that web-making diffusion machine -<br />

which we call the group radiophonic mechanism<br />

or plastic-sound installation – leaving psychiatry<br />

and reaching the villages, towns and communities<br />

we are invited into. This takes place because La<br />

Colifata’s re-transmissions have for years been<br />

supported by media airing these microprogrammes<br />

in various regions of the country.<br />

The idea is to meet the community “face to face”,<br />

and as “preconceptions” with the perception of<br />

the moment of encounter. An encounter with<br />

something unpredicted, an encounter as an event:<br />

one of the coordinator’s tasks is to create conditions<br />

for something to happen, for the unexpected,

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