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Pares cum Paribus Nº 4: Índice - Facultad de Ciencias Sociales ...

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UNIVERSITY OF CHILE<br />

FACULTY OF SOCIAL SCIENCES<br />

Morton Marcus<br />

SPANISH VERSION<br />

The Novel<br />

PARES CUM PARIBUS No. 4<br />

FALL-WINTER 1997<br />

Several characters in a famous novel moved to another town. They were tired of enacting the<br />

same old adulteries, fistfights, and successful marriages, and when they heard about a Tibetan<br />

guru living on the California coast, they went to learn from him the way to escape from life's<br />

miseries.<br />

The characters who remained in the novel were outraged or confused. A number of them just<br />

stopped in the middle of a gesture or a conversation, refusing to budge from page 20 or 60 or<br />

203, even though other characters kicked or slapped them, shouting words like, "Get up! Get<br />

up! We'll show them! They weren't that important anyway." Or, "I never liked Tom. He ruined<br />

chapter 5 with his arrogance." Or, "That Margaret. Did you see what she was wearing on page<br />

179?"<br />

Many of these remaining characters married, cheated, had affairs with, beat up or befrien<strong>de</strong>d<br />

the wives, children, brothers and secretaries of those who had abandoned the novel, in more<br />

than a few cases revealing <strong>de</strong>sires and grudges that had never been suspected before.<br />

All of these changes caused extraordinary alterations in the millions of copies of the novel that<br />

had been published in dozens of languages around the world. Pages where the characters<br />

who left had loved, dreamed and argued were now white spaces like unexplored territories on<br />

maps, which in a number of places the other characters would not, or could not, cross, and<br />

approached with scorn or trepidation.<br />

The new marriages, arguments and friendships expan<strong>de</strong>d some chapters while shortening<br />

others, hopelessly confusing not only personalities but scenes as well, so that where two<br />

characters had previously strolled by shopfronts on a mild spring day in New York City, smiling<br />

and whispering and occasionally stopping to kiss, now one character was talking and gesturing<br />

to himself and turning a corner into the middle of a firefight in the jungles of Vietnam.<br />

As a consequence of such realignments, the pages of the novel seemed to rearrange

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