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International Polar Year 2007–2008 - WMO

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62<br />

IPY 20 07–20 08<br />

Box 3 The development of an IPY <strong>2007–2008</strong> Logo<br />

Robert Bindschadler<br />

IPY-1 in 1882–1883 and IPY-2 in 1932–1933 had no logos or<br />

special letterheads of their own, but IGY 1957–1958 had its<br />

iconic logo of the planet with the orbiting satellite (Fig. 1.3-<br />

10) that was featured on its many publications, posters and<br />

public materials, and even instruments used during the IGY<br />

observational period (Odinshaw, 1956). So the need for IPY<br />

<strong>2007–2008</strong> to have a special logo was considered since the very<br />

early days of the planning process (Chapter 1.2).<br />

The first concepts I recall were offered by Chris Elfring and<br />

were produced at the U.S. National Academy of Sciences (Fig.<br />

1.3-11). The proposed graphics showed two hemispheres in a<br />

couple of different views and arrangements, but basically the<br />

same (Fig. 1.3-12). The reaction was “Nice,” but no “wow, that’s<br />

it!”, rather “(pause) these are a good beginning”. I commented<br />

that people (or a person) needed to be somehow incorporated<br />

into the logo, otherwise it could just as well be IPY of some<br />

other planet.<br />

I think it was at that meeting when we were given ICSU<br />

commemorative mugs. As we struggled with the idea how to<br />

match the human component and the concept of both poles,<br />

Robin Bell grabbed the marker and sketched a rough human<br />

figure on her mug (Fig. 1.3-13) and coloured in the poles. It<br />

was after that sketch that Chris Rapley began to talk about the<br />

Vitruvian Man sketch by Da Vinci projected over the globe.<br />

At that meeting, I was charged with developing ideas for the<br />

IPY logo and to take the task to the NASA graphic artists at<br />

the Goddard Space Center. Back at Goddard, I met with two<br />

artists, James O’Leary and Katy Gammage. I showed them<br />

the Academy’s samples (Fig. 1.3-11) and said we wanted<br />

people included. Their initial concepts were varied, but fell<br />

Fig. 1.3-10. IGY<br />

1957–1958 logo,<br />

the ultimate<br />

source of<br />

imagination for<br />

IPY <strong>2007–2008</strong><br />

planners.<br />

Fig. 1.3-11. Early<br />

version of the<br />

IPY <strong>2007–2008</strong><br />

logo produced at<br />

the U.S. National<br />

Academy of Sciences<br />

(NAS, September–<br />

November 2003).<br />

Fig. 1.3-12. NAS ‘two<br />

hemisphere’ design<br />

discussed at the PG-2<br />

meeting (December<br />

2003).<br />

into two primary categories: one that tried to show the field<br />

activities of polar research (people in parkas, snowmobiles,<br />

tents, etc. Fig. 1.3-14) in a single complex scene and another,<br />

using a collage of images of the Arctic (Fig. 1.3-15). A second<br />

suite of concepts was more polished and I shared these with<br />

the PG members, but the response was mute and hardly<br />

anything came back until the next PG meeting.<br />

At PG-3 in April 2004, we discussed logos only quickly at the<br />

end of the meeting. The field scene versions had no support.<br />

The collage version was more popular, but I remember Rapley’s<br />

comment that it was too complex to work as a simple graphic.<br />

He wanted a simpler design with fewer shades of gray so that<br />

it would work on the letterhead and could be “faxed well.”<br />

Nonetheless, the ‘collage’ image was put on the cover of the<br />

IPY ‘Outline Science Plan’ produced later that month with<br />

the assistance of Ralph Percival, local graphic person at the<br />

British Antarctic Survey (Fig. 1.3-16) and also onto various<br />

IPY PowerPoint presentations later in 2004, though with<br />

white background. I also used it in my briefings about IPY<br />

since spring 2004 and I discovered that the face of the Inuit<br />

child in the logo usually elicited audience connection. The<br />

quality to hold attention and prompt questions about IPY was<br />

a remarkable and very compelling characteristic of this design.<br />

After that, most of the iterations of the logo design revolved<br />

around the collage. Some new images were added and the pictures<br />

were rearranged; positioned in a wide strip for a banner<br />

or more square for a slide background (Fig. 1.3-16), but there<br />

was no more substantive discussion of the logo in the PG. The<br />

idea of a logo competition wherein entries would be received<br />

was popular, but we needed a logo right away and recognized<br />

that the time would not allow a competitive process.<br />

Fig. 1.3-13. Sketch of<br />

human figure over<br />

the globe backdrop<br />

produced by Robin<br />

Bell (December<br />

2003).<br />

Fig. 1.3-14. NASA<br />

draft logo based<br />

upon the ‘field<br />

activities’ concept<br />

(winter 2004).<br />

Fig. 1.3-15. ‘Collage’<br />

version of the IPY<br />

imagery developed<br />

by the NASA graphic<br />

artists in winter 2004.

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