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dictionary of sanskrit grammar

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__________<br />

acted as Jf#r Or light, as without it,<br />

.the Mahabhasya <strong>of</strong> Patanjali would<br />

have remained unlit, that is unintelligible,<br />

at several places. Later<br />

<strong>grammar</strong>ians attached to 9T#T almost<br />

the same importance as they<br />

did to the Mahabhasya and the<br />

expression af® has been<br />

<strong>of</strong>ten used by commentators. Hara-<br />

datta’s Padamanjari is indebted to<br />

his work. Many commentary works<br />

were written on the Pradipa out<br />

<strong>of</strong> which Nagesa’s Uddyota is the<br />

most popular. The word came<br />

to be used for the word<br />

which was the work <strong>of</strong> Kaiyata.<br />

For details see Vyakarana Mahabhasya<br />

published by the D . E.<br />

Society, Poona, Vol. V II. pp.<br />

389-390-<br />

a commentary on the Maha»<br />

bhasyapradipa <strong>of</strong> Kaiyata written<br />

by Niiakantha <strong>of</strong> the Dravida country.<br />

Nilakantha lived in the 17th<br />

century aDd wrote works.on various<br />

subjects.<br />

a commentary on the<br />

Mahabhasyapradipa <strong>of</strong> Kaiyata<br />

written by Pravartakopadhyaya.<br />

( 1 ) a commentary on the<br />

Mahabhasyapradipa <strong>of</strong> Kaiyata<br />

written by Kvarananda, in the 16th<br />

century; (2 ) a commentary on<br />

Kaiyata’s Pradipa by Ramacandra-<br />

Sarasvatl, who lived in the 16th<br />

century.<br />

a class <strong>of</strong> words headed by<br />

the word which get their final<br />

vowel lengthened when the word<br />

q?r is placed after them as a second<br />

' member <strong>of</strong> a compound, provided<br />

the word so formed is used as a<br />

proper noun; e.g. fw srcf.<br />

Kaf. on P. VI. 3.1x7.<br />

129<br />

a reputed <strong>grammar</strong>ian who<br />

wrote an extensive explanatory<br />

gloss by name Vaiyakaranabhusana<br />

on the Vaiyakaranasiddhantaka=<br />

„ rika <strong>of</strong> Bhattoji Diksita.- Another<br />

work Vaiyakaranabhu§anasara<br />

which is in a way an abridgment <strong>of</strong><br />

the Bhusana, was also written by<br />

him. Konqlabhatta lived in the<br />

beginning <strong>of</strong> the 17th century. He-<br />

was the son <strong>of</strong> RangojI and nep<br />

hew <strong>of</strong> Bhattoji DIk?ita. He was<br />

one <strong>of</strong> the few writers on the<br />

Arthavicara in the Vyakaranalastra<br />

and his Bhusanasara ranks next to<br />

the Vakyapadlya <strong>of</strong> Bhartfhari.<br />

Besides the Bhu?ana and Bhu§ana-<br />

sara, Kondabhatfa wrote two independent<br />

works viz. Vaiyakarana-<br />

siddhantadlpika and Sphotavada.<br />

a scholar <strong>of</strong> Sanskrit V yakarana<br />

who composed<br />

a small treatise dealing with the<br />

declension <strong>of</strong> nouns.<br />

(1765-1837 A .D .)<br />

was an eminent European Sans-<br />

kritist who was responsible for the<br />

development <strong>of</strong> the study <strong>of</strong> Sanskrit<br />

learning in the latter half <strong>of</strong><br />

eighteenth century in India. His<br />

major work is ' Miscelleneous<br />

Essays ’. He has given an introductory<br />

account <strong>of</strong> Sanskrit grammatical<br />

literature in " On the<br />

Sanskrit and Prakrit Languages"<br />

Asiatic Researches -7 (1803, 199-<br />

231)-<br />

an ancient <strong>grammar</strong>ian referred<br />

to in the Taittiriya Prati§akhya<br />

{ T. Pr. V . 38 ) and Panini’s Astadhyayi.<br />

(P . II.4.70).<br />

( 1 ) an alt<br />

tive name <strong>of</strong> the Katantra Vyakarana<br />

given to it on the strength<br />

<strong>of</strong> the traditional belief that the<br />

original inspiration for writing it<br />

.

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