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dictionary of sanskrit grammar

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mentioned above are termed roots<br />

by the rule ( P. I ll; i.<br />

32) and are regularly conjugated<br />

in all the ten tenses and moods<br />

with the general conjugational sign<br />

3IH. added to them in the conjugational<br />

tenses, and 319, and others<br />

in the other tenses and moods, and<br />

have verbal derivatives also formed<br />

by the addition <strong>of</strong> suitable kft<br />

affixes.,<br />

fpJTH known also as Subhuticandra<br />

was a <strong>grammar</strong>ian who wrote a<br />

commentary on the AmarakoSa.<br />

He is mentioned by Ujjvaladatta.<br />

IppftOT name <strong>of</strong> a commentary written<br />

by a Southern <strong>grammar</strong>ian,<br />

feints on Bhattoji’s Siddhantakaumudi.<br />

^ a short pithy assertion laying<br />

down something in a scientific<br />

treatise; aphorism; the word is<br />

sometimes used in a collective<br />

sense in the singular, referring to<br />

the whole collection <strong>of</strong> Sutras or<br />

rules; cf. sqTOTO 93^ M. Bh. on<br />

Ahnika x. The term is defined as<br />

1 arst-<br />

Wfficrt % There are<br />

given generally six kinds <strong>of</strong> Sutras<br />

viz. % res,<br />

srlcft*Hi3 and also cf.<br />

=er ^ ^ 1<br />

qfipr gjfssjopui Com. on Kat.<br />

I. 1.2.<br />

the original writer <strong>of</strong> the<br />

sutras ; e.g. sT'fefcv,<br />

|f!=qr^ and others. In Panini’s system,<br />

Panini is called Sutrakara. as<br />

contrasted with Katyayana, who is<br />

called the Varttikakara and Patanjali,<br />

who is called the Bhasyakara ;<br />

cf. M. Bh. on P. II.<br />

2.11.<br />

the text <strong>of</strong> Panini’s Sutras, handed<br />

down by oral tradition from<br />

the preceptor to the pupil.<br />

Although it is said that the actual<br />

text <strong>of</strong> Pacini was modified from<br />

time to time, still it can be said with<br />

certainty that it was fixed at the<br />

time <strong>of</strong> the Bhasyakara who has<br />

noted a few different readings only.<br />

The Sutra text approved by the<br />

Bhasyakara was followed by' the<br />

authors <strong>of</strong> the Kaiika excepting in<br />

a few cases. It is customary with<br />

learned Pandits and <strong>grammar</strong>ians<br />

to say that the recital <strong>of</strong> the Sutras<br />

<strong>of</strong> Pacini was originally a continuous<br />

one in the form <strong>of</strong> a Samhita-<br />

text and it was later on, that it was<br />

split up into the different Sutras,<br />

which explains according to them<br />

the variation in the number <strong>of</strong><br />

Sutras which is due to the different<br />

ways <strong>of</strong> splitting the Sutrapatha.<br />

( 1) splitting up <strong>of</strong> a grammatical<br />

rule ( qlJlff^nr) ; (2 ) change<br />

in the wording <strong>of</strong> a ru le ; cf. g w<br />

q t tm M. Bh.<br />

on Siva Sutra 2 Vart. 5.<br />

reference to something as<br />

present, when, in fact, it is yet to<br />

come into existence, on the analogy<br />

<strong>of</strong> the expression gjRij q-q ;<br />

cf. €?n M.<br />

Bh. on P. I. 3.12 Vart. 2.<br />

W §\ the place <strong>of</strong> the articulation or<br />

production <strong>of</strong> the sound %.<br />

name <strong>of</strong> the famous commentator<br />

on Purusottamadeva’s Bhasavrtti,<br />

who lived in the fifteenth<br />

century A.D.<br />

% ( t ) one <strong>of</strong> the several affixes found<br />

in Veda in the sense <strong>of</strong> §g^(g»£<strong>of</strong><br />

the infinitive); e.g. km: ; cf.<br />

P. III. 4.9; ( 2 ) personal-ending<br />

substituted for «n9 in the pres.,<br />

perfect, and other tenses; cf. *116:<br />

& P. III. 4.80.

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