dictionary of sanskrit grammar

word; e.g. the restoration of the
root f^ in #£T EfTn^#; cf.
3 n ^ ? R n f^ ;otf31II5^Tfi=?RcKT^2 I
sifw scw ft: 9f f
g^apj;, M. Bh. on III. 1.26 Vart. 6.
JJ^fssTF? phonetical maintenance of. a
wording without allowing any
euphonic modifications as found in
the case of a dual form ending in
f, ® or ? , as also in other specified
cases; cf. f a n d the
following rules P. I. 1.11 to. 19, as
also sgcrajpi srfa VI. 1.125.
the accent i.e. the acute
accent ( 3? r a ), possessed by the
original word as contrasted with the
accent of the affix
which ( latter) is looked upon as
more powerful; cf. ( "Jjpl'Cr) 'jt'K.
HffTOt Prefer M. Bh. on II. 1.24, II.
2.29 Vart. 17. See Pariini Sutras
V I. 2.1 to 63.
260
difference in the radical base ;
a different radical base ; cf. 5 *r-
g ’reiorei. 1# : nffqnfw; M. Bh. on I.
1.4 ; cf. also
fsfjquniicr M. Bh. on P.I.
3.1.
Sjfcqaj&^w restriction regarding the
sense of the radical base; cf. Sfir#-
fqajt spfoi SIFMWUWH: i sig^ra-
^ M. Bh. on P. I.
3.t2 Vart. 5.
Hfrc?if intact, without any change by
rules of euphony; accent etc. ,* cf.
P. V I. 2.1 etc. V I. 2.i37s V I. 3.74
and VI.4.163.
Hfse superior, excellent; cf. -
; M. Bh. on P. V. 3.55 Vart.3.
{1) the place of articulation, the
place of the production ol sound,
..... 1*1
5iTSB*n*W«
such as throat, chest, palate and
the like ; cf. ^ 5 ^ :
^n5rf=Eaj% M. Bh. Pradipa on fes §
gnra5T5flm?ng. P. I. 2.30 Vart. 2 ;
(-2) recital of Veda, described as
3OTTIS cf. 3*rc*n ^ W r srqfir M.
Bh. on P. V III. 4.28; cf. also
u sffii ” quoted in the
Mahabhasya on P. V I. 1.172; ( 3 )
regularity in the position of words,
regular order of words.
a well-known grammatical
work by Ramacandralesa of the
fifteenth century. The subject
matter of Panini’s Astadhyayi is
arranged in this work according to
topics. It is similar to and the
predecessor of Siddhantakaumudi
which has a similar arrangement.
The work was very popular before
Siddhantakaumudi. It has almost
about a dozen commentaries of
which Prasada of Vitthala and
PrakaSa of Sesakrsna are famous.
Prakriyakaumudi has an abridgement
called Tattvacandra by
Jayanta, a pupil of Ramacandra.
There are glosses like Prakriya-
ranjana by ViSvanatha, Prakriya-
vyakrti by ViSvakarma, Prakriya-
ratnamani by DhaneSvara, preceptor
of Bopadeva.
called also ^qi€rg