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CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

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Adorno sees the modern individual as a formal and thin self whose psychological<br />

contents and the meaning of whose world are almost fully determined by something<br />

beyond herself, something that is beyond her cognitive grasp and her practical control,<br />

which is derived from the economic structure of society, and which gives rise to a totality<br />

of social norms and modes of thinking that the individual encounters as ready-made,<br />

rigid, and seemingly natural. In today's social reality, the relations of production and the<br />

imperatives of consumption (as well as the associated modes of self-understanding,<br />

rational calculation, and models for social relations) confront individuals as if they were<br />

necessary and eternal structures, structures that constitute the experience and contents of<br />

the empirical subject.<br />

With this point, we get the theoretical contradiction of the conception of<br />

subjectivity that attempts to conceive the subject in terms of the individual, concrete and<br />

living self. The problem with this conception is that, when we look at the individual and<br />

try to understanding it in terms of itself alone, we find nothing but a decimated and<br />

indeterminate I. The form and content of this I is in fact intelligible only by appealing to<br />

the supra-individual structure of the socio-economic order. The concept of the<br />

empirical, individual subject is thus insufficient for understanding the modern subject; it<br />

need only be slightly extended to see that they converge in the insight that the concrete serves for<br />

nothing better than that something, by being in some way distinct, can be identified, possessed,<br />

and sold. The marrow of experience has been sucked out; there is none, not even that apparently<br />

set at a remove from commerce, that has not been gnawed away. At the heart of the economy is a<br />

process of concentration and centralization that has the power to absorb what is scattered. It<br />

leaves traces of independent existences only for professional statistics and permeates the most<br />

subtle spiritual innervations often without its being possible to perceive the mediations. The<br />

mendacious personalization of politics and the blather about ‘man in the age of inhumanity’ are<br />

appropriate to the objective pesudoindividualization; but this becomes an unbearable burden for<br />

art because there is no art without individuation.<br />

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