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CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

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further interpretation. This need for further interpretation, to say it one last time, is the<br />

need for understanding the whole of (social) reality as mediated by nature.<br />

It is impossible to discuss Adorno’s conception of the dialectic between<br />

appearance and essence without discussing Herbert Marcuse’s 1936 essay on this topic,<br />

so I will conclude this section by comparing Adorno’s and Marcuse’s conceptions of this<br />

dialectic. I will argue that Marcuse’s conception in this early essay is basically a Marxian<br />

conception, and thus differs from Adorno’s conception in just the way I have explained<br />

with relation to Marx: Marcuse’s view of the dialectic ultimately subsumes the initial<br />

determinations of essence and appearance under a more developed conception of essence,<br />

because it operates with a positive (self-grounding and ultimate) conception of essence,<br />

whereas Adorno has only a negative conception of essence.<br />

In “Zum Begriff des Wesens” [“The Concept of Essence”], Marcuse initially<br />

defines essence and appearance, and their relation in advanced capitalist society, in the<br />

same way as Adorno: He defines essence as “die Totalität des gesellschaftlichen<br />

Prozesses, wie er in einer bestimmten historischen Epoche organisiert ist. In Relation zu<br />

ihm ist jedes einzelne Moment, als isoliertes Einzelnes genommen, insofern<br />

‚unwesentlich’, als erst seine Beziehung zum Ganzen des Prozesses sein ‚Wesen’<br />

einsehen läßt, d.h. den Begriff des wirklichen Inhalts einer Erscheinung gibt.” 173 He<br />

further claims that the internal structure of the totality is governed by the economy, so<br />

173 Marcuse, Herbert, “Zum Begriff des Wesens,” Zeitschrift für Sozialforschung, Vol. V (1936):<br />

24. English translation in Marcuse, trans. Shapiro, Jeremy, “On the Concept of Essence,” in Negations:<br />

Essays in Critical Theory (London: MayFlyBooks, 2009), 51: “[I]n a very general sense, essence is the<br />

totality of the social process as it is organized in a particular epoch. In relation to this process every<br />

individual factor, considered as an isolated unit, is ‘inessential’, insofar as its ‘essence’, i.e. the concept of<br />

the real content of an appearance, can be grasped only in the light of its relation to the totality of the<br />

process.”<br />

183

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