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CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

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CHAPTER 8:<br />

PHILOSOPHY OF LANGUAGE <strong>AND</strong> CONSTELLATIONS<br />

Chapter 7 explained Adorno’s method of ‘natural history,’ by which the object of<br />

study is interpreted from the standpoint of its non-conceptual nature—an idea I have<br />

explained as an interpretation that recovers the social-experiential original ground from<br />

which the object arose and which it expresses in its rhetorical aspects, stylistic tropes, and<br />

imagery. I have argued that, for Adorno, this mode of interpretation is possible because<br />

concepts have a double function: on the one hand, they have a discursive function that<br />

conceals the non-conceptual elements in the object, but, on the other hand, they also have<br />

an expressive function that serves as a vehicle for the expression of the non-conceptual.<br />

For Adorno, as we have seen before, the discursive function of concepts and the<br />

conceptual system as a whole should be understood along Hegelian lines, which is why a<br />

Hegelian notion of the dialectic remains in his view an essential constituent of<br />

philosophical reflection. However, the expressive function of concepts requires a<br />

conception of language that goes beyond the Hegelian framework. My goal in this<br />

chapter is to explain the philosophy of language presupposed by Adorno’s account of the<br />

expressive power of language: the aspect of language that allows traces of the non-<br />

conceptual origin and historical development of the object to survive in the conceptual<br />

element of the object (although they cannot be recovered through conceptual analysis but<br />

rather through interpretation of the particular rhetorical presentation of the concepts<br />

381

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