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CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

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5.2 The mechanism of projection<br />

The mechanism that Adorno and Horkheimer describe as bringing about the loss<br />

of external reality discussed above is “paranoid projection”—the mechanism at work in<br />

the formation of paranoia, one of the narcissistic neuroses. 195<br />

Adorno and Horkheimer’s discussion of paranoid projection follows two lines of<br />

thought. The first identifies projection with a mechanism by which the subject imputes<br />

the formal structure of its own mind to reality as a whole, so that external reality appears<br />

as a mirror image of the subject. This is the mechanism that creates the epistemic<br />

estrangement from external reality discussed above. The second train of thought<br />

identifies paranoid projection with the mechanism at work in fascist violence 196 against<br />

the Jews, homosexuals, Roma, women, and other persecuted groups. 197 On the basis of<br />

Adorno and Horkheimer’s text alone, and without recourse to Freud’s analysis of<br />

projection, it is not immediately evident how these two phenomena result from a single<br />

195 Nosographically, the illnesses that Freud called “narcissistic neuroses” in earlier writings<br />

correspond to the functional psychoses (i.e. those not caused by somatic lesions, see Laplanche and<br />

Pontalis, The Language of Psychoanalysis (London: The Hogarth Press, 1973), 258). These include<br />

paranoia, schizophrenia, and delusions of jealousy. Later (“Neurose und Psychose” 1924 [1923]), Freud<br />

reserves the label ‘narcissistic neurosis’ for melancholia, as opposed to the psychoses. However, the earlier<br />

nomenclature fits Adorno and Horkheimer’s diagnosis better, so I will stick with it.<br />

196 Importantly, Adorno and Horkheimer do not limit the phenomenon of fascism to the historical<br />

political systems that are usually called ‘fascist,’ typically Hitler’s Third Reich, Mussolini’s rule in Italy<br />

and Franco’s rule in Spain. Rather, Adorno and Horkheimer see these systems as specific and poignant<br />

eruptions of political and cultural currents latent in advanced capitalist society, therefore in the Western<br />

world as a whole.<br />

197 The mechanism of paranoid projection is discussed in detail in what is perhaps the most<br />

important of the theses on anti-semitism—thesis VI—in Dialektik der Aufklärung. See Adorno and<br />

Horkheimer, Dialektik der Aufklärung, in Max Horkheimer: Gesammelte Schriften, Vol. 5 (Frankfurt am<br />

Main: Fischer Taschenbuch Verlag, 1997), 217-230; English translation by Edmund Jephcott in Dialectic<br />

of Enlightenment (Stanford: Stanford University Press, 2002), 154-165. Both strands identified here are<br />

intermingled in the discussion and brought together under the umbrella of “paranoid” or “false” projection,<br />

which itself is said to be the deep cause of the enlightenment’s pathology. In fact, the ideal of<br />

emancipation and “healthy” reflection is identified with “die Gegenbewegung zur falschen Projektion” [the<br />

countermovement to false projection] in the last sentence of the section (Dialektik der Aufklärung, 230/<br />

Dialectic of Enlightenment, 165).<br />

214

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