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CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

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materialism). Thus the system, which is in reality a system of delusions, is transfigured<br />

into an autonomous totality whose structure is fully determined and determinable rather<br />

than partly non-rational and elusive from within the system.<br />

This brings us to the other form of contradiction: the “contradiction in the<br />

concept,” elucidated in chapter 7, for this form of contradiction is discovered in thought<br />

by confronting the object of analysis (where ‘object’ refers to a philosophical or scientific<br />

theory, a work of art, a cultural production of any kind, or any other cultural product, all<br />

of which contain a reflexive structure), whose conceptual-discursive elements have the<br />

internal structure of the “contradiction in the object,” with the form of interpretation that<br />

examines the object from the standpoint of its non-conceptual natural element.<br />

On the one hand, Adorno holds that the conceptual, discursive component in the<br />

object tends to appear as self-sufficient and independent from both the object’s non-<br />

conceptual origin in a specific social-historical life-world and the life-world’s relation to<br />

the present (i.e., how ‘origin’ subsists in the present). On the other hand, Adorno holds<br />

that the conceptual element in the object nonetheless preserves, in its rhetorical, material<br />

aspect, ‘traces’ of the non-conceptual element. Crucially, the philosophical interpretation<br />

of the rhetorical, material element results according to Adorno in a conception of the<br />

object that stands in contradiction to the conception that results from the discursive<br />

analysis of the object’s conceptual element. The “contradiction in the concept” refers to<br />

the fact that contradictory views of the object arise depending on whether the conceptual<br />

element in the object is analyzed discursively or through the method of natural history,<br />

which gives insight into the non-conceptual. The ‘constellation’ combines the dialectical<br />

method (since the it is composed of fragmentary dialectical analyses that interpret<br />

442

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