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CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

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object, which necessarily exceeds it, and (2) that the conceptual elements in the object are<br />

nonetheless inherently attached to the non-conceptual in the object through their<br />

particular rhetorical deployment in the text, and as such are a vehicle for the non-<br />

conceptual.<br />

7.2.2 The concept as “more than” the object<br />

Even though concepts are a vehicle for the non-conceptual, they also conceal the<br />

non-conceptual in the object.<br />

The experiential content that first motivates (“animates”) the formation and use of<br />

specific concepts, and which the concepts then subsume under them, is inherently<br />

ambiguous (in today’s world it is even ‘contradictory,’ since experience in the<br />

pathological society is grounded in the contradiction in the object, the contradiction<br />

between appearance and essence in advanced capitalist social reality (see chapter 4).)<br />

But, once this content is subsumed under concepts, it appears as though it were free of<br />

ambiguity. Concepts thus iron over tensions and ‘contradictions’ in experience and in so<br />

doing actually conceal the experiential content that motivated their formation in the first<br />

place. “Befriedigt schiebt begriffliche Ordnung sich vor das, was Denken begreifen<br />

will.” 324<br />

Adorno offers as an example of the relation by which the concept is “more than”<br />

the object the concept of freedom:<br />

324 Adorno, Negative Dialektik, in Gesammelte Schriften, Vol. 6 (Frankfurt: Suhrkamp Verlag,<br />

1970), 17. English translation (modified): Satisfied, the conceptual order pushes itself in front of [and thus<br />

conceals] that which thought wants to grasp/ comprehend.<br />

361

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