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CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

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The question I pursue in this and the following chapter is how Adorno’s notion of<br />

antagonism, understood as the above twofold heteronomy, constitutes the ontological<br />

ground for dialectical contradiction in subjective reflection. In this chapter, I focus on the<br />

first of the two forms of heteronomy involved in Adorno’s notion of antagonism: that is,<br />

internal heteronomy. I show that this first form of heteronomy is the ontological ground<br />

for the “contradiction in the object.” Later, chapters 5 and 6 will give an account of the<br />

second form of heteronomy, and chapter 7 will show that it stands at the basis of the<br />

“contradiction in the concept.”<br />

As I have said, this chapter focuses on the first element of Adorno’s ontology of<br />

antagonism: internal heteronomy, or the determination of every finite realm of social life<br />

by the principle of exchange. In section 1, I submit this element of Adorno’s social<br />

ontology to close examination, and I explore its consequences for the structure of thought<br />

in general. In section 2, I show that Adorno’s view of internal heteronomy corresponds<br />

to a conception of both the concrete structure of social reality, and the conceptual<br />

structure of thought, as defined by irreconcilable tension between a sphere of ‘essence’<br />

and a sphere of ‘appearance.’ This tension just is the “contradiction in the object.”<br />

Section 3 fleshes out my analysis of Adorno’s conception of the relation between<br />

appearance and essence that defines the “contradiction in the object” by considering<br />

Kantian and Hegelian objections to it.<br />

My main concern in sections 1-3 is thus to clarify the structure of the<br />

“contradiction in the object,” which defines both social reality and the form of dialectical<br />

reflection uniquely suited to reproducing the complex structure of that reality without<br />

147

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