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CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

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constellation succeeds, and in the same way as Benjamin: namely, in an expression that<br />

simultaneously gives a voice to the non-conceptual in the object and maintains a distance<br />

from this content because what is given voice to is the object in its state of separation<br />

from expression in (fallen) language, so that the relation between the constellation and<br />

the object is that of a gaze looking at a ruin (but a ruin that calls for redemption). The<br />

content that is expressed—the experiential origin of the object, or, what is the same, the<br />

“non-conceptual” in the object—is not identical with the object, but rather discloses the<br />

experiential context that first gave rise to the object as an original expression of suffering,<br />

and this content stands in ineluctable opposition (non-identity) with the conceptual<br />

elements also in the object (both the elements it explicitly offers as self-interpretation and<br />

the elements that have become sedimented in the object through its interpretation). It is<br />

the very distance (or “non-identity”) between the non-conceptual and the conceptual in<br />

the object that is expressed: in other words, the object is exhibited as fragmented. But<br />

this does not mean that the constellation fails to reveal the non-conceptual in the object.<br />

Adorno says, “Konstellationen allein repräsentieren, von außen, was der Begriff im<br />

Innern weggeschnitten hat, das Mehr, das er sein will so sehr, wie er es nicht sein kann.<br />

Indem die Begriffe um die zu erkennende Sache sich versammeln, bestimmen sie<br />

potentiell deren Inneres, erreichen denkend, was Denken notwendig aus sich<br />

ausmerzte.” 397<br />

397 Adorno, Negative Dialektik, in Gesammelte Schriften, Vol. 6 (Frankfurt: Suhrkamp Verlag,<br />

1970), 164-5, emphasis mine. English translation by E.B. Ashton in Negative Dialectics (New York and<br />

London: Continuum, 2005), 162: “By themselves, constellations represent from without what the concept<br />

has cut away within: the ‘more’ which the concept is equally desirous and incapable of being. By<br />

gathering around the object of cognition, the concepts potentially determine the object’s interior. They<br />

attain, in thinking, what was necessarily excised from thinking.”<br />

421

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