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CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

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problems of the text (or other object of interpretation) to a critique of social conditions.<br />

But, since the text does not explicitly link its theoretical shortcomings and contradictions<br />

to the concrete social life-world of its emergence, the latter must be teased out of the text<br />

through a form of interpretation that does more than look at the concepts explicitly and<br />

intentionally deployed in the text.<br />

Consider as an illustration the way Adorno interprets Kant’s dualism between<br />

phenomena and noumena. Adorno first emphasizes and exacerbates the opposition<br />

between the two realms through a series of related dualisms: for instance between a<br />

realm of phenomena that can be fully known, with absolute certainty, and a realm of<br />

noumena that is most real but cannot be known at all; or between the empirical subject,<br />

who confronts a world determined by unchanging and necessary laws of nature beyond<br />

her control, and whose psychological contents are themselves determined by natural<br />

laws, on the one hand, and a transcendental subject whose cognitive structures determine<br />

the very structure of the world and who is absolutely free, on the other. I have already<br />

talked about Adorno’s analysis of the subjective part of this opposition in chapter 2, so I<br />

will briefly discuss here his analysis of the objective part, namely the opposition between<br />

phenomenal objects and their noumenal ground.<br />

Adorno argues that Kant’s “duplication of the world” into phenomena and<br />

noumena is in the first place a reflection of the structure of the reified world: the<br />

structure of the social order as determined by exchange, by the commodity structure. 304<br />

304 Adorno argues that the division between a knowable realm of appearances and an unknowable<br />

realm of noumena reduces the things we can know to the subject: only those things that exhibit our<br />

cognitive structure are available to us, which means that nothing truly external enters knowledge anymore.<br />

In this situation, the subject can ultimately gain knowledge only of itself. What is truly external in the<br />

object recedes from view. Adorno refers to this process as a process of the “Subjektivierung”<br />

341

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