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CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

CONTRADICTION, CRITIQUE, AND DIALECTIC IN ADORNO A ...

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as a whole (this is what I have called the determining role of the principle of exchange).<br />

Since he takes it that the social totality mediates every single element of social life,<br />

Adorno holds that ignoring the psychological manipulation that brings the individual into<br />

virtual identity (albeit a pathological identity) with the social order results inevitably in a<br />

misunderstanding of society and, even worse, in ideology—for instance, in Benjamin’s<br />

support of Bolshevik Russia. This coercive identity in which the totality and the<br />

individual come to relate to each other in advanced capitalism requires in Adorno’s view<br />

a dialectical approach, and it is precisely the dialectical deficit in Benjamin’s philosophy<br />

that Adorno criticizes and which sets them apart.<br />

Since Adorno holds that every social phenomena and object of analysis must be<br />

read in light of its total mediation by the social systematic totality, the social-materialist<br />

strand in his thought needs to be connected to the natural-historical strand with a<br />

dialectics of suspicion. Benjamin’s different view of the social conditions and the sort of<br />

critical analysis that they call for results in a different, undialectical relation between the<br />

two critical strands, which, as we have seen, he simply juxtaposes with each other. This<br />

takes us to the second main point of divergence in their views that I identified above.<br />

During the thirties, Benjamin’s interpretation of natural history became<br />

characterized more and more by an unmediated juxtaposition of social-materialist<br />

elements, on the one hand, and archaic elements that are read as anticipating and already<br />

containing modernity in them and that are deployed for a critical understanding of the<br />

present, on the other. But Benjamin juxtaposed these elements without explicit<br />

theoretical reflection on their relation. Whereas Benjamin thought that this method<br />

would result in a sudden image that strikes the reader in a moment of illumination, an<br />

430

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